Resultados narrador por "Tom Woosnam" en Todas las categorias

1903. A darkness has descended on London. A series of grisly murders are uncovered, trophies taken, bodies arranged and soon there are whispers of Jack the Ripper’s return. A new client arrives at Baker Street seeking Sherlock Holmes’s help: Dr. Jekyll claims his friend has been wrongfully accused of the hideous crimes, a friend called Mr. Edward Hyde, whose very existence relies on a potion administered by the doctor himself. But the case becomes more complicated, more unsettling than simply proving Mr. Hyde’s innocence.

Sherlock Holmes’s discovery of a mysterious musical score initiates a devious Christmas challenge set by Irene Adler, with clues that are all variations on the theme of “theft without theft”, such as a statue missing from a museum found hidden in the room it was taken from. In the snowy London lead-up to Christmas, Holmes’s preoccupation with the “Adler Variations” risks him neglecting the case of his new client, Norwegian arctic explorer Fridtjof Nansen, who has received a series of threats in the form of animal carcasses left on his doorstep.

It’s said that the ghost of the Black Abbot has been seen near the old abbey, but that doesn’t deter several of a nobleman’s employees from showing up to find a supposed hidden treasure. Soon, a mysterious hooded figure begins murdering those who may have figured out where the riches are hidden. Who is the Black Abbott, what is his purpose—and how he is connected to the treasure? From a malevolent ghost to a tangled romance and a plot for revenge, The Black Abbot brings classic, non-stop Edgar Wallace thrills.

The day Clay Shelton is set to be hanged, he requests to speak with the inspector who arrested him, Arnold “Betcher” Long. He tells Long that the Gallows Hand will have its revenge. Assuming he is a dead man trying to delay the inevitable, Long ignores him. But when the judge who sentenced Shelton is murdered, he finally starts to take notice.

1896. A new client at Baker Street claims he’s being threatened via the new art of the moving image. Eadweard Muybridge, pioneer of motion picture projection, believes his life is in danger. Twice he has been almost run down in the street by the same mysterious carriage, and moreover, disturbing alterations have been made to his lecture slides. These are closely guarded, yet just before each lecture an unknown hand has defaced images depicting Muybridge himself, which he has discovered, to his horror, only as he projects them to his audience.