Resultados narrador por "Nitin Sharma" en Todas las categorias

Ek Ladki Pani Pani manages to draw that connection between life and water in its own unique way. The story that starts with the specter of drought has water as its central character. What will our lives be without water? The novel is a reflection of that horrific reality. The novel is stand-alone in its category, where science fiction has been interwoven into the lives of female protagonists with such expertise that the underlying message of the novel does not get lost in the highs and lows of the characters' lives.

The call disconnected. Vijay put his phone down and sat thinking. His mind spun. Who was this mysterious caller? He clearly had an urgent need to meet. So why wait for six months? His explanation didn’t make sense. What preparation did he have to do? And what was he going to reveal to Vijay when they did meet? There were too many questions that were unanswered. Six months from today this puzzle would unravel. He would have to wait.

The compositions of Wasim Barelvi, an exponent of Moradabadi School of poetry, appeal to the classes and masses alike. Charag is a compilation of these works. Known for his deft handling of easy and everyday language, the poetry of Wasim wins the hearts of all. It also shows Wasim Barelvi’s engagement with contemporary times and its issues. His poems do not just dwell in any imaginary world, but contemporary problems and events form an integral part of his repertoire, which makes his works more relevant.

A scientist by profession but a poet at heart, Gauhar Raza is one of India’s leading Urdu poets of this age. He is also a social activist and a documentary filmmaker. Gauhar Raza's poetry has been known for frankness of tone and for the social concerns that they take up and treat sensitively. Khamoshi is a selection of his poetry including his famous poem Main Chahta hoon, in which he express his helplessness to write a romantic poem in the days of darkness.

Dilli Darbaar is the story of a young, jovial techno-geek called Rahul Mishra and his journey from being a careless flirt to a responsible man. Rahul moves from a small town to Delhi for better future prospects, and this brings about changes in his life and lifestyle to which he must adapt. His mantra in life is 'there is always a shortcut to success' - which he ironically proves right through his own eccentric ways. Dilli Darbaar is also about Paridhi, a typical East Delhi girl, and her path, as well as Rahul's, to finding the meaning of love, trust, friendship and life.

Bakar Puran is a biography of all those bachelor guys who leave their homes for cities like Delhi and become a part of the city. This book contains stories of every bachelor who fell in love, did stupid things and discussed India's foreign policy at the neighbourhood tea stall. Bakar Puran is the past, present and future of those bachelors which will always be the same. The language and style have the realism of a bachelor pad. Here, there is no garb of elitism in expression. Whatever it is, it just is.

The story of Ravana and his people has been told innumerable times. This is the Hindi translation of the number one national best seller. This saga is of victory and defeat - a story that has been tainted by India's oppressed and exploited caste for 3,000 years. Unlike the Ramayana, the story of Ravana has never been told so far. But now it's time to speak for the dead and the defeated.

The second book in the Ajaya series, Kali ka Uday tells the story of the vanquished in the epic war Mahabharata. The book narrates the story from the point of view of the Kauravas. The story starts with the Kaurava prince Duryodhana challenging Krishna before the apocalyptic war breaks out. The author describes a city waiting with bated breadth for the outcome of the war. While women, noblemen, priests and humble beings helplessly watch the war and its consequences unfold in front of them, the greedy traders circle the skies in anticipation of what's to come next.

Gautam Rajrishi - a name that has emerged as a refreshing change in modern poetry of Hindi literature. Who would have imagined that a serving colonel of Indian army would introduce us to a new style of Ghazals? And that is precisely what he does, with ease and panache...dismantling all the stereotyped images we have harbored in our minds. He picks up his words from our daily life, giving them a sublime bliss that we have never seen before in Ghazals.

Audible prastut karta hai Crime Stories by Delhi Press ka sankalan. Akhbaar ki surkhiyon mein kayi apraadh ke qisse dil dehla dete hain. Aakhir sach kya hai, koi hadsa kaise hua, uske peechhe kiska haath tha, apraadhi bach kar kaise nikla? Ek ghatna ke peechhe kayi raaz hote hain, chhupi huyi kahaniyan hoti hain aur gupt kadiyan hoti hain. Har kirdaar ki alag maansikta hoti hai, jise samajhne ke liye unki duniya mein jaana padta hai. Hatya, balatkaar, chori, dhokhe ki kahaniyan samaaj ke ek aise pehlu par roshni daalti hain jise samajhna mushkil aur dilchasp bhi. Sansanikhez khabaron ke peechhe romanchak kahaniyan hain jo suljhaana kathin hai.

रवीन्द्रनाथ टैगोर का यह उपन्यास बीसवीं सदी के प्रारम्भिक वर्षों के बंगाल पर केन्द्रित है और उस समय के समाज, राजनीति और धर्म की वास्तविक तस्वीर प्रस्तुत करता है।.

Audible prastut karta hai Crime Stories by Delhi Press ka sankalan. Akhbaar ki surkhiyon mein kayi apraadh ke qisse dil dehla dete hain. Aakhir sach kya hai, koi hadsa kaise hua, uske peechhe kiska haath tha, apraadhi bach kar kaise nikla? Ek ghatna ke peechhe kayi raaz hote hain, chhupi huyi kahaniyan hoti hain aur gupt kadiyan hoti hain. Har kirdaar ki alag maansikta hoti hai, jise samajhne ke liye unki duniya mein jaana padta hai. Hatya, balatkaar, chori, dhokhe ki kahaniyan samaaj ke ek aise pehlu par roshni daalti hain jise samajhna mushkil aur dilchasp bhi. Sansanikhez khabaron ke peechhe romanchak kahaniyan hain jo suljhaana kathin hai. Satya ki talaash mein tehkikaat karte kirdaar aapke saamne kayi sawaal layenge. Yeh kahaniyan aapko apraadh ke uss mod tak le jayengi jahan rahasya ke saath uljhan aur halchal bhi hai. Kya aap sach ki iss khoj mein shaamil hona chaahenge?

The classic adventures of Robin Hood. Now available in Hindi.

Audible presents Malang Ishq, an Audible Original, staring Smirti Kalra.

अटलजी का मानना है कि साहित्य और राजनीति के अलग-अलग खाने नहीं हैं, और जब कोई साहित्यकार राजनीति करेगा तो वह अधिक परिष्कृत होगी, होनी चाहिए।

Audible prastut karta hai The Black Hunter, ek Audible Original, in association with Hind Yugm. Lekhak Saurabh Kudesia ke shadb. Kidnapping ke baad hosh udaati ajeeb halaat main laute logon ke band dimaag kholne ke liye Central Crime Investigation (CCI) director Shridhar ne apne puraane dost aur CCI department ke purv criminologist Dr. Vedi ki madad li. Apahriton ke band dimaag ki parton main chhupe dharm, adhyaatm, manovigyaan ke hairat-angej, vichitr aur aprakat mayajaal ko suljhaane ke liye Dr. Vedi ko uss vichitr ‘Nark’ ko todna tha jise iss khel ke Mastermind ne jivon ke karmon ka nyay karne ke liye rachaa thaa. Disclaimer- Ye show vyasyak shrotaayon ke liye banayi gayi hai. Yeh karyakram poori tarah kaalpanik hai aur vaastavik vyakityon, vyavsaayon, sthaanon ya ghatnaayon ke saath koi bhi samaanta maatr sanyog hai. Iss series ka uddyeshya kisi vyakti, sansthan, jaati, samudaay, nasl ya dharm ko thes pahunchaana ya badnaam karna ya kisi sansthan ya jeevit ya mrit vyakti ko badnaam karna nahin hai

Audible presents Hookup Haadse, an Audible Original. Pleasure and horror collide in this series that explores the dark side of dating. In each story, a casual hookup takes a terrifying, unexpected turn.

Audible prastut karta hai Darling Democracy, ek Audible Original, in association with Hind Yugm. Best-selling lekhak Nilotpal Mrinal ke shadb. Bilaiya naamak gaon me panchayat chunav ki sugbugahat ke saath jab gaon ki seat Adiwasi ghoshit hoti hai tab vartmaan mukhiya Rang Bahadur Singh pareshan ho uthta hai. Malum chalta hai ki uss gaon me ek vidhwa adiwasi mahila hai jo ab nirvirodh mukhiya chuni jayegi. Usi dauran ek baniya ke beta ek adiwasi ladki ko bhaga le jata hai. Tab use manakar wapas gaon me laya jata hai aur baniya samaj us ladki ko chunav ladane ki taiyari karne lagta hai. Udhar vartman mukhiya ko pandit Tribhuj ne salah diya ki wo kisi adiwasi mahila se shadi karke rajput dwara shaasan karne ki parampara ko bacha sakte hain. Mukhiya aisa hi karta hai. Tabhi pandit Tribhuj ka beta ek adiwasi girlfriend se court marriage karke wapas lautata hai. Ab Bilaiya gaon mein mukhiya ke 4 candidate taiyaar ho jate hain. Lekin tabhi khabar aati hai ki panchayat chunav abhi nahin hoga. Iss tarah sabke armanon par pani fhir jata hai. Disclaimer- Iss show mein apshabd aur kadi bhasha aur vayask shrotaayon ke liye vayask saamagri hai, jismein antrang drishya shaamil hain jo kahani ke anuroop hain. Yeh poori tarah kaalpanik hai aur vaastavik vyakityon, vyavsaayon, sthaanon ya ghatnaayon ke saath koi bhi samaanta maatr sanyog hai. Iss show ka uddyeshya kisi vyakti, sansthan, jaati, samudaay, nasl ya dharm ko thes pahunchaana ya badnaam karna ya kisi sansthan ya jeevit ya mrit vyakti ko badnaam karna nahin hai. Shrotaaon ko apne vivek ka istemaal karne ki bharpur salaah di jaati hai.

Jaise ham rozamarraa ke aur zarooree kaam karate hain vaise hee vichaaron kee abhivyakti ek zarooree kaary hai. Lekin ka_ii baar prasannataa, dukh athavaa krodh ke ka_ii aise bhaav hote hain jo sirph dil men dabakar rah jaate hain. Yah pustak aise hee tamaam bhaavon ko ujaagar karane kaa ek zariyaa hai. ah pustak koshish hai tamaam nakaaraatmakataa_on men sakaaraatmakataa talaashanaa, gahan andhere men ujaale kee ek kiraṇa talaashanaa, aur asnbhav men bhee ek snbhaavanaa talaashanaa.

Jeevan kee kala se mera yahee prayojan hai ki hamaaree sanvedansheelta, hamaaree paatrata, hamaaree graahakta, hamaaree respective itnee vikasit ho ki jeevan mein jo sundar hai, jeevan mein jo satya hai, jeevan mein jo shiv hai, vah sab-vah sab hamaare hriday tak pahunch sake. Us sabko ham anubhav kar sakein, lekin ham jeevan ke saath jo vyavahaar karte hain, usase hamaare hriday kaa darpan na to nikharta, na nirmal hota, na saaf hota; aur gandaa hota, aur dhool se bhar jaata hai. Usmein pratibimb padne aur bhee kathin ho jaate hain.