Resultados narrador por "Bronwen Price" en Todas las categorias

Ten years earlier, after Brodie refused to divulge the name of his source in a murder case, Chief Inspector Abberline threatened to have charges brought against him for withholding evidence. The case might very well have won Abberline the coveted new title of Commissioner of Police, and when the "source," a woman, suddenly disappeared, Abberline couldn't forgive Brodie.

The pretty little streets of Montmartre are abuzz with a rumour. Apparently a mystery matchmaker, known only as ‘Paris Cupid’, has somehow helped the city’s most famous bachelor find love. But old-fashioned romantic Lilou is staying very quiet. She’d just wanted to set up her best friend, and to get on with her life selling whimsical old love letters, in Paris’s famous St. Ouen market. She hadn’t imagined her little Paris Cupid project could ever have attracted so many people looking for true, heartfelt romance.

It’s the hottest day of the 1976 heatwave and there’s not a breath of fresh air in the labour ward at Lincoln County Hospital. Michelle is having her fourth child, a girl, while beloved husband Dean is sipping a cold pint in the pub. Their little house is already bursting at the seams, but Michelle is sure they’ll find a way to stretch their budget and continue life as a blissfully chaotic happy family. They name their new baby Donna.

Ever since Beth Bailey was a girl, she’s been in love with her best friend’s older brother, Mark. She’s continued to hold out hope that maybe, someday, he’ll love her back. But now Beth is thirty-five years old, and on the day of Mark’s wedding to another woman, she finally accepts the wake-up call she needs to move on.

For Lou, it was always Dylan. She loved him from the moment they first met across a cadaver in the dissection room at medical school. The most gorgeous man she'd ever laid eyes on, with more Welsh charm than you could shake a stick at; she was a goner. But Lou, despite her beauty, was just too extroverted to interest Dylan, who was convinced that a quiet, shy girl, like Lou's best friend Frankie, was much more his style.

Mikaela's inquiry services are requested by the wife of a prominent London surgeon after he has disappeared, while Brodie is sent to track down rumors of a planned attack in London by the anarchist known as the Black Hand. It is a time of dangerous unrest across the whole of Europe, and they realize the two cases may be connected when the doctor is found murdered at a secret office in the East End where he performed certain procedures. It is also the place where the anarchist was followed, only to disappear. What was the reason for secrecy regarding that specific office?

Even before the night her childhood shattered, she was never normal. Her mind can process people and situations at lightning speed, she has the ability to recall anything she sees or hears with perfect clarity, and she can separate from herself if she needs to—making her difficult to torture, to intimidate. In summary, she is the perfect mercenary. A life in the shadows where she can stay in darkness is fine by her. That is until he tries to pull her into the light.

Shy, reclusive Frankie and her best friend Lou obsessed over Thomas G. Longley, as they reverently refer to him, for their entire first two years of medical school. So when he publicly humiliated her at the student bar, she was devastated. Ten years later, Frankie has to work in the testosterone-driven environment of cardiology before she can start her palliative care training, and to her dismay, Tom is her boss.

When the family receives a second photograph of their daughter, who is quite obviously dead, their simple inquiry becomes a murder investigation. But this is no routine investigation as another photograph is received, and another body is found. As more bodies turn up, and with no known motive, Brodie and Mikaela must confront the fact that the murderer is brilliant, disturbingly talented, and quite possibly insane. What drives this cold-blooded killer to capture the last moments of their victims with such haunting clarity?

After her imprisonment at the brutal hands of her ex, Jay, Felicity is slowly putting her life back together. She’s got a new name, a new hairstyle, and even a new partner: strong, supportive Scott, whose down-to-earth nature makes him the perfect stepfather to little Leo. Even though nightmares still haunt her, she’s starting to feel that her struggles are over - that she may, finally, be safe. But Jay is still out there somewhere. And Felicity can't shake the feeling she's being watched.

Heartbreak has forced Millie to make a new start, and when she arrives at the old bakery in the village of Honeybourne, her imagination has been captured by the tumbledown bakery. But with no running water and dust everywhere, her cosy dream quickly crumbles. Luckily the locals are a friendly bunch and step in to help. One in particular, Dylan, a laid-back lothario, soon captures her attention. But just as Millie is beginning to settle in, an unexpected visitor from her past suddenly turns up determined to ruin everything for her.

After escaping her ordeal at the hands of her obsessive ex, Jay, Felicity thought she was safe, building a new life with Scott and son Leo in a seaside town. Little does she know that Jay has tracked her down and wormed his way into the confidence of Vicky, a woman from Scott’s past who has her own very sharp ax to grind....

Everybody loves Katie. With her bubbly personality, her beauty, her never-ending supply of care and support for her patients and friends, and her huge sense of fun, there's very little to dislike. Yes, she's a bit scatty, she tends not to sweat the small stuff (like an engine light on her dashboard—that is, until her Mini won't start anymore), and she can talk the hind legs off a donkey, but none of that stops most people from thinking she's pretty damn adorable. Well, most people, other than Sam, that is.

Old Town, Edinburgh. In a squalid tenement where poverty, rats, and disease are rampant, a young woman who worked in a local tavern lies dying. Just another number and bound for a pauper's grave in Greyfriars Kirkyard. Alone, his grandmother the only family left, young Angus Brodie hides in the shadows nearby, the bronze medallion his dying mother pressed into his hand clenched in a tight fist as the constables carry her body from the tenement. And a name overheard—the man who was there that night, seen by the woman who collected the rents.

Ghostly images appear and float across the stage, objects levitate into the air, and a beautiful assistant disappears inside a glass box, then reappears inside a second glass box. All while the audience at the Crystal Palace, including amateur investigator Mikaela Forsythe, watch the performance. Is it real? Then, an evening with her friend, Theodora Templeton, attending the one-night performance by master illusionist Jean Luc Betard, takes a ghastly turn and plunges Mikaela headlong into murder when the illusionist's young assistant is found dead at the end of his newest stunt.

When Stacey’s ex-husband turns up on her doorstep begging her to help save his kidnapped thirteen-year-old daughter, Lyra, the terror is all too familiar. Stacey’s own violent kidnapping thirty years ago was never solved, and while a severe case of amnesia spares her from recalling the specific horrors, she remembers enough… Stacey knows her father never paid the ransom—she has the missing pinkie finger to prove it. She knows she was only saved because of an anonymous tip-off to the police. And she knows her captor was never apprehended.

When their father dies unexpectedly, siblings Max, Ellie and Nathan can’t even contemplate emptying his house—not least because he spent his last decade curating what feels like a museum to his polished public image. So it is Max’s wife, Caroline, who finds the suitcase under a bed… A suitcase stuffed full of an awful lot of cash. The source of the money is a mystery to them all, and each has a strong opinion about what to do with it.

Addressing the corpse of her husband, who has just been pronounced dead, a hysterical Mrs Arne prays that 'if there be a God in heaven, and if He ever answered a prayer, let Him...give you back to me'. Shortly afterward, an amazed doctor finds that the patient he had thought dead has somehow miraculously recovered. But as time goes by, it's clear that there is something unsettling about Edward Arne, something that frightens people, including his once-adoring wife.

A female passenger travelling in a by rail is intrigued and increasingly frightened by one of her companions in the compartment. Entirely covered by a cloak, are their intentions nefarious, supernatural or entirely innocent?

Few ghost stories are as chilling as the ones written by Victorian writers. Featuring work by Jerome K. Jerome, Rhoda Broughton, R.L. Stevenson and Violet Hunt, this second collection of eight enduring horror stories, some well-known, others less familiar, transports you to a candlelit fireside to hear tales of cursed paintings, mysterious locked chests and the consequences of promises broken....