Resultados de "G. K. Chesterton" en Todas las categorias

El conjunto de los relatos del padre Brown constituye quizá la obra más popular de Chesterton. El simpático cura-detective que los protagoniza resuelve en ellos, armado únicamente con su paraguas, su inocencia y su sabiduría, intrincados casos gracias a un conocimiento sencillo a la par que es profundo de la naturaleza humana. Chesterton crea este singular personaje para mostrar que sólo una mirada sincera y que reconozca el misterio que la realidad encierra es capaz de salvaguardar la razón.

«Si solo leemos una obra de Chesterton —debería avergonzarnos si así fuera— ha de ser Ortodoxia. Seguramente, nadie ha defendido la fe cristiana con argumentos tan sorprendentes y ejemplos tan deslumbrantes, como Chesterton lo hizo en Ortodoxia. Una obra maestra de retórica que (...) realmente constituye uno de los libros mejor escritos del siglo XX» (Dale Ahlquist, presidente y cofundador de la American Society Ches- terton ). Ortodoxia es el libro más importante de una personalidad excepcional.

En el Londres surrealista de cambio de siglo, el poeta Gabriel Syme es reclutado por un destacamento antianarquista en Scotland Yard. A partir de este momento empezará su bizarra y trepidante misión en la que tendrá un objetivo como detective encubierto. Según Chesterton, se trataba de un nuevo tipo de novela, una historia en la que se tipifican pensamientos modernos, pero no con argumentos, sino con incidentes simbólicos: una comedia alegórica.

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La solución, en las malas ficciones policíacas, es de orden material: una puerta secreta, una barba suplementaria. En las buenas, es de orden psicológico: una falacia, un hábito mental, una superstición. Ejemplo de las buenas y aun de las mejores es cualquier relato de Chesterton.

Set in London in the early 1900s, this metaphysical thriller follows undercover policeman Gabriel Syme, who, in partnership with a Scotland Yard task force, attempts to take down underground anarchists. Syme encounters Lucian Gregory, a passionate anarchist, who eventually takes him to a secret meeting place. Once there, Syme begins to influence the anarchists and is eventually elected to the central council. In his attempts to destroy the council of anarchists from the inside, he starts to uncover more secrets, each more mysterious than the last.

El conjunto de los relatos del padre Brown, escrito a lo largo de más de veinte años, constituye quizá la obra más popular de Chesterton. El simpático cura-detective que los protagoniza resuelve en ellos, armado únicamente con su paraguas, su inocencia y su sabiduría, intrincados casos gracias a un conocimiento sencillo a la par que profundo de la naturaleza humana.

Poet Gabriel Syme believes in the beauty of order and, as such, is recruited by Scotland Yard to an anti-anarchist police corp. While undercover, Syme meets fellow poet Lucian Gregory, a verse writer devoted to disorder, who introduces him to London’s anarchist underworld. Just as Gregory is to be elected to the central council, Syme’s cover is revealed and he is forced to make a decision that sends the cabal into chaos. Is anyone in this underground faction who or what they seem? Syme suddenly realizes he doesn’t have all the answers.

Discover a world of heroes and villains, suspense and intrigue. This riveting and comprehensive collection brings together some of the best crime writing of all time. Ruth Rendell and Frances Hegarty spearhead the modern genre, moving through the popular and rarely recorded Graham Greene, to Edgar Wallace and G.K. Chesterton and his master detective Father Brown. And that's not all.

Spirited and unpretentious, Chesterton's romp through English history recounts the thrilling story of a somewhat complicated nation, told through the soul of its people. From the Roman roads to the Magna Carta, the Reformation and the rise of democracy, Chesterton compellingly traces England's journey through history, often noting the persistent struggle between ordinary folk and overreaching elites.

“My last crime was a Christmas crime, a cheery, cozy, English middle-class crime; a crime of Charles Dickens. I did it in a good old middle-class house, a house with a crescent of carriage drive, a house with a stable by the side of it, a house with the name on the two outer gates, a house with a monkey tree. Enough, you know the species.” How does Father Brown solve the theft of three gorgeous, large diamonds by a boastful thief?

In this important book, G.K. Chesterton offers a remarkably perceptive analysis of social and moral issues, even more relevant today than in his own time. With a light, humorous tone but a deadly serious philosophy, he comments on errors in education, on feminism vs. true womanhood, on the importance of the child, and other issues, using incisive arguments against the trendsetters’ assaults on the common man and the family.

Effortlessly blending biography, philosophy and humour, Chesterton recounts with great imaginative depth the renowned Italian priest and theologist, Thomas Aquinas. Known as the ‘Angelic Doctor’, Aquinas was not just a scholar, but a passionate intellectual who was deeply in love with truth and natural theology.

Gilbert Keith Chesterton (1874-1936) was a British writer, philosopher, lay theologian, and literary critic. Chesterton wrote around 80 books, several hundred poems, some 200 short stories, several plays, plus 4,000 essays and newspaper columns. He was a columnist for the Daily News and The Illustrated London News.

Orthodoxy (1908) by G. K. Chesterton is a classic of Christian apologetics. The audiobook is a companion to his volume of essays titled Heretics, and focuses on the Apostles' Creed. It was written when Chesterton was an Anglican; he converted to Catholicism 14 years later. The prose is witty and incisive, meaning Chesterton at the height of his power.

Ortodoxia es un ensayo de G. K. Chesterton, publicado en 1908, que se ha convertido en un clásico sobre apologética cristiana. En él presenta una visión original de la religión cristiana, que Chesterton ve como una respuesta a las necesidades naturales de los seres humanos, la «respuesta a un acertijo», y no como una verdad arbitraria recibida de alguna parte extraña a la experiencia humana.

Humility gets a bad rap these days, especially when contrasted with philosophies of egoism and self-assertion. But can we see the world as it really is without losing ourselves for a moment to take up the perspective of another?

This is a story from the The Innocence of Father Brown - Volume 2 collection.

A thorough introduction to Saint Francis’s extraordinary character and spiritual journey, Chesterton’s biography is both a fascinating historical account of the man’s life, as well as a profound meditation on holiness and humility. Chesterton portrays Saint Francis not only as a holy man, but also as a gentle lover of animals, and a radical spiritual revolutionary. He unveils how Saint Francis renounced a life of comfort and wealth to dedicate himself wholly to God, evoking the man’s loving and joyful spirit.

First published in 1925, The Everlasting Man is in many ways a direct rebuttal to H.G. Wells’s The Outline of History, wherein he states that man is merely a development from animal life, and that Jesus was just a charismatic figure. Although a popular secular idea at the time, Chesterton believed otherwise. He argued that in order to understand both humanity and history, we ought first to recognise the uniqueness of both man and Christ.