Títulos en Cine y TV

Mike Medavoy is a Hollywood rarity: a studio executive who, though never far from controversy, remained loved and respected through four decades of moviemaking. He helped bring to the screen some of the most acclaimed Oscar-winning films of our time, including Apocalypse Now, One Flew over the Cuckoo's Nest, Amadeus, The Silence of the Lambs, Philadelphia, and Sleepless in Seattle.

Here is a gripping, behind-the-scenes look inside the classic suspense shocker Psycho - and the creative genius who revolutionized filmmaking. First released in 1960, Psycho altered the landscape of horror films forever. But just as compelling as the movie itself is the story behind it. Stephen Rebello brings to life the creation of one of Hollywood’s most iconic films, from the story of Wisconsin murderer Ed Gein, the real-life inspiration for the character of Norman Bates, to Hitchcock’s groundbreaking achievements in cinematography, sound, editing, and promotion.

Michele Dalai scrittore, autore televisivo e conduttore radiofonico racconta "Fred". Una serie di monografie su personaggi del mondo dell'arte, dello sport e dello spettacolo, donne e uomini straordinari riletti attraverso lo specchio delle loro interpretazioni, della finzione scenica e delle loro vicende private. Racconti che lasciano spazio alle parole e alle azioni dei soggetti senza rubare loro la scena, spogliati di retorica e compiacimento perché eccezionali ed emozionanti sono già le parabole dei protagonisti.

La vendetta è un danno materiale o morale, di varia gravità fino allo spargimento di sangue, che viene inflitto privatamente ad altri in soddisfazione di offesa ricevuta, di danno patito o per sfogare vecchi rancori. (Enciclopedia Treccani) La vendetta è una forma primordiale di giustizia, un'azione necessaria per ristabilire l'equilibrio perduto.

Fifty years ago, a little boy was cast in a movie with some of Hollywood's brightest stars. The movie: It's a Wonderful Life; the boy: Jimmy Hawkins; today, he tells his story. Through personal recollection, careful research, and interviews with cast and crew, actor Jimmy Hawkins, who played four-year-old Tommy Bailey, takes you behind the scenes for a first-hand look at the American movie classic It's a Wonderful Life.

"Ma voi siete due esseri perfetti, che vi siete innamorati, e che purtroppo avete una diversa pigmentazione. E adesso io credo che qualunque obiezione possa fare un bastardo sulla vostra intenzione di sposarvi, solo una cosa ci sarebbe di peggio, e cioè che voi due, sapendo quello che fate, sapendo ciò che vi aspetta, e sapendo quello che sentite, non vi sposaste. " (dal discorso finale di Matt Drayton/Spencer Tracy)

Non certo la necessità, bensì il caso è pieno di magia. (Milan Kundera). Da sempre il destino è la forza motrice di ogni azione narrativa, dalla tragedia greca fino ai giorni nostri. Questo "motore capriccioso che governa l'esistenza dell'uomo occidentale e le sue rappresentazioni" si è via via trasformato: un tempo erano gli dei che determinavano il corso dell'agire umano, in seguito la Provvidenza, infine il Caso, quello che fa incontrare Joel Barish e Clementine Kruczynski - Jim Carrey e Kate Winslet nel film di Michael Gondry, "Se mi lasci ti cancello".

In Bright Boulevards, Bold Dreams, Donald Bogle tells - for the first time - the story of a place both mythic and real: Black Hollywood. Spanning 60 years, this deliciously entertaining history uncovers the audacious manner in which many Blacks made a place for themselves in an industry that originally had no place for them. Through interviews and the personal recollections of Hollywood luminaries, Bogle pieces together a remarkable history that remains largely obscure to this day.

"Giacché ti trovi lì, fai attenzione. Sono solo due le regole che contano davvero: quello che un uomo può e quello che un uomo non può. Per esempio, o tu puoi accettare che tuo padre fosse un pirata ed un brav'uomo o non puoi. Ma hai sangue pirata nelle vene e dovrai farci i conti un giorno o l'altro. Prendi me per esempio: posso lasciarti affogare, ma non posso portare la nave fino a Tortuga solo soletto, comprendi? Quindi, puoi navigare sotto il comando di un pirata? O non puoi?" (Jack Sparrow)

In "The Corpse as Big as the Ritz", Ron Rosenbaum, author of Explaining Hitler and master of the "investigation of investigations", gives us a Hollywood noir with shades of F. Scott Fitzgerald and Raymond Chandler: An inquiry into the "Dirty Little Death in the Desert" of David Whiting, the love-stricken business manager of actress Sarah Miles, who was found dead in the actress's hotel room during the filming of the Burt Reynold's Western The Man Who Loved Cat Dancing.

On the Frontlines of the Television War is the story of Yasutsune "Tony" Hirashiki's 10 years in Vietnam - beginning when he arrived in 1966 as a young freelancer with a 16mm camera but without a job or the slightest grasp of English and ending in the hectic fall of Saigon in 1975 when he was literally thrown on one of the last flights out. His memoir has all the exciting tales of peril, hardship, and close calls as the best of battle memoirs but it is primarily a story of very real and yet remarkable people: the soldiers, the reporters, and the photographers.

He prepared therefore for the meditative journey that proves most excruciating in Limbo, a rounding through the past, a trip back! It is a venture full of perils. To meditate on TV might prove equal to writing a recollection of an enemy one has never met and cannot quite believe in. Indeed, how to conceive of an enemy who is without personal animosity? It was like writing a memoir of an oxymoron. Limbo set its tasks.

Splatter Capital shows how a subgenre of cinematic horror has developed a unique perspective on the cycles of capitalism. It argues that the messy brand of horror mobilized in gore or "splatter" films is extremely responsive to the internal contradictions that threaten the future sustainability of capitalist accumulation. And, while responding to the prospect of that end, splatter promotes an extant truth: capitalist accumulation is and always has been a nightmare of systematized bloodshed.

Delve deeper into the scientific terms and theories at the core of the Peabody-winning, cult favorite show. With exclusive insights from the show's cocreator, Graeme Manson, and science consultant Cosima Herter, The Science of Orphan Black takes you behind the closed doors of the Dyad Institute and inside Neolution.

Daniel Bettridge provides us with an ultimate fan guide on an A to Z journey from Atari to the Upside Down. So you can brush up on your knowledge and get ready for what's yet to come! Providing an all new insight into one of the world's most popular television programmes, Bettridge explores the show, its many themes and influences and so much more, giving you the inside information from an outsider's perspective.

Charlotte Stewart is known by millions of fans worldwide for her role as the beloved schoolteacher, Miss Beadle, on the iconic TV show, Little House on the Prairie, currently broadcast in syndication in more than 100 countries around the world. Here for the first time an adult cast member writes about the experience of making the show - the challenges, the joys, and the sometimes-turbulent behind-the-scenes relationships.

Jewel thievery, car chases, and romance on the French Riviera. Alfred Hitchcock's Oscar-winning film To Catch a Thief brought together Hollywood's two most glamorous stars, Grace Kelly and Cary Grant, in the most glamorous place on Earth, the French Riviera. It is a tale of jewel thievery, intrigue, false identity, covert investigation, and, most of all, romance.

Molding a Jurassic Universe is a collection of essays exploring the space where nostalgia and geek culture collide, all through the lens of Jurassic Park and the Jurassic Park franchise. The 21 essays muse on traumatized heroes, dinosaur martyrdom, the ethical implications of having a theme park full of extinct creatures brought back to life, cynicism as form and function in filmmaking, a shaving cream can as a foundation to worldbuilding, and more.

Stanley Kubrick, the director of a string of timeless movies from Lolita and Dr. Strangelove to A Clockwork Orange, 2001: A Space Odyssey, Full Metal Jacket, and others, has always been depicted by the media as the Howard Hughes of filmmakers, a weird artist obsessed with his work and privacy to the point of madness. But who was he really?

Pop culture and parody author Valerie Estelle Frankel examines the sources and predicts a Game of Thrones ending for each one. What will the Ragnarok ending look like? Or the Narnia ending? Who will live, who will die, and how goofy can the war of ice and fire possibly get?