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Bystander is a pitiless, bold work of intense psychological realism narrated by a professionally successful but socially bankrupt anti-hero who expects global connection and local anonymity. It excoriates the contingency of contemporary morality, and, at a time of growing isolation, forces the listener to examine what it means to be a good neighbor.

When horror-obsessed Riley Lawrence and his group of college friends arrive in the small town of Carousel for their Centennial Celebration, the few decrepit cars parked in the street don’t scare them. But when they enter a locked building, an animatronic usher hands them each a ticket, and the lights dim, Riley realizes they’ve entered the inescapable patchwork of a horror movie set. And they’ve each been assigned an archetype—Scholar, Athlete, Eye Candy, Final Girl—to play out as the curtains rise.

The best carnival barker in the business couldn’t have drawn a crowd like the one now gathered around the Ferris wheel on the pier. In one of the cabs, still rocking with the ocean breeze, is a dead man - a bloody knife protruding from his back. Why the notorious gambling boss Jerry McGurn was killed is no mystery. Who did it is. And there’s only one probable witness to the crime.

Bystander intervention is simply overcoming that “freeze” instinct and getting back to the very human desire to take care of one another. It’s not about being the hero, strapping on spandex, and saving the day. And it certainly isn’t about sacrificing your own safety. From the nonprofit organization Hollaback!, I’ve Got Your Back teaches listeners the ins and outs of bystander intervention using Hollaback!’s methodology: the 5D’s of bystander intervention—distract, delegate, document, delay, and direct.

Mary O'Malley is tired of keeping secrets. Secrets like her older brother Jonny's drug use. Starting seventh grade is tough enough without the upheaval her brother is bringing to their family. It seems the only person who might understand is Griffen Connolly, whose older sister runs with Jonny in the wrong crowd. Mary thought Griff was too cool, too popular for her. But now he wants to hang out with her, and listen.