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El joven George Willard, reportero del periódico local, observa la vida de los habitantes de su pequeño pueblo, Winesburg, en Ohio. La mirada del narrador construye, a partir de lo cotidiano y gris, un fascinante retrato humano, pulcro y detallado, de enorme realismo poético y finísima penetración, que convierte al libro en todo un referente literario.

El libro abraza la tesis del fracaso de la monogamia, es decir de la institución del matrimonio. Por esta razón fue vetado en muchas librerías de Estados Unidos y de Inglaterra y creó no pocos problemas a su editor. A pesar de ello Fitzgerald afirmó que no se trataba de un libro inmoral sino de un libro ferozmente antisocial. El mismo Anderson adelantó que al libro se le acusaría de inmoralidad porque investigaba en la dirección de una liberación física y mental, en un intento de revelarse a sí mismo cual era la justa vía para el ser humano.

Winesburg, Ohio is Sherwood Anderson's masterpiece, a cycle of short stories concerning life in a small town at the end of the nineteenth century. In the perfectly imagined world of Winesburg, an archetypal small American town, Anderson reveals the hidden passions that turn ordinary lives into fonts of unforgettable emotions. Played out against a deceptively placid backdrop, Anderson's loosely connected stories coalesce, like chapters, into a powerful novel of love and loss.

Sherwood Anderson was cited by Hemingway, Fitzgerald, Cather, and others as a major influence in the writing of short stories. "Winesburg, Ohio" is a landmark work many of us encounter as students. Anderson, in many ways, is best experinced in audio. He believed stories were meant to be told, as they are in the stories themselves. These nine are his best: "Brothers", "The Door of the Trap", "The Dumb Man", "The Egg", "Motherhood", "The New Englander", "The Other Woman", "Seeds", and "War."

Winesburg, Ohio has the most memorable cast of characters in 20th-century fiction. Listeners will remember at least a few stories and their characters for the rest of their lives. Each of the 23 stories stands on its own. And each is also interwoven into the fabric of the book.

In questo scrittore, definito anche padre della letteratura americana, troviamo quella scrittura di inizi novecento che si apre al flusso di pensieri, alla punteggiatura usata in modo anticonvenzionale, e che si collega alle scritture di Joyce, Wolfe, Stein, e di cui poi troveremo i frutti in Hemingway, Faulkner, e in Pavese, che ha tradotto questo romanzo. Uno spaccato della provincia Americana del 1926, dipinto da un impressionista della scrittura che fa aperti riferimenti alla pittura di Cezanne e Matisse.

Told through many notes in four books and an epilogue, Sherwood Anderson’s memoir of Midwestern life and culture journeys through the author’s own imaginative world and through the world of facts. From Anderson’s childhood to his attempt to ingratiate himself with New York’s literary elite, A Story Teller’s Story is a unique look into the psyche of an American icon.

I alle Sherwood Andersons bøger er hovedtemaet de menneskelige drifter og det civiliserede menneskes laengsel efter at genfinde en sand forståelse med naturen. I denne roman skildrer Anderson sin opfattelse af de sortes kontakt til det naturlige, uhaemmede liv, som står i staerk kontrast til, hvad han betragter som sine hvide "artsfaellers" degeneration.

Sherwood Anderson beskrev selv "Winesburg, Ohio" som "halvt selvstaendige fortaellinger, halvt roman". I dag er den kendt som et af de mest banebrydende vaerker i moderne amerikansk litteratur, og den har haft en enorm indflydelse på den amerikanske novelle. Bogen udspiller sig i den førindustrielle amerikanske lille by Winesburg, og omkring den centrale hovedperson, Winesburgs eneste journalist, den unge George Willard.

Famous authors, like everybody else, know that one day they will die. Final Chapters tells the fascinating stories of more than 100 writers' encounters with death - and their attitudes toward the Grim Reaper: fear, uncertainty, or acceptance.

No nation has ever achieved the literary diversity of America. From nativist humor to immigrant triumph, Americans have recorded their visions and hopes better than anyone