Resultados de "D.H. Lawrence" en Todas las categorias

"Monkey Nuts" was written by D.H. Lawrence in 1922. "Monkey Nuts" turns the traditional love story on its head. It is the woman (the new liberated woman Lawrence had little time for) who does the chasing and the boy who is reluctant. Lawrence seems to be saying it is the unspoken love between the two men in the story which is more satisfying than the possible love between the man and the woman, which the boy rejects. Although the older man goes through the motions of chasing the girl, even he seems to realize the sterility of one-sided love.

"The Blind Man" is a delicate study of a loving relationship blighted by the man's blindness and disfigurement in the First World War. The arrival of an old friend of the woman brings into the open feelings and fears previously suppressed.

"The Wilful Woman" was written by D.H. Lawrence in 1922. "The Wilful Woman" remained unfinished, and so the tough, spoiled, rich American woman, used to having her own way, does not get the nemesis Lawrence may have had in mind for her. Whether it was the Wordsworthian lessons of nature as she battles her way through the American wilderness or the harder lessons of a waiting husband who may or may not want her, we will never know.

In "The Thimble", Lawrence moves to the world of the affluent middle classes, a world to which he perhaps aspired. The story is a touching one of a disfigured husband returning home from the war to a beautiful new wife. The thimble of the story can be seen to represent purposeless, surface beauty, which has no function. The husband casts the thimble away, but can this marriage survive the surface damage and find a deeper meaning?

"The Overtone" looks at a sterile marriage with no children and no spontaneous sexual feeling between the couple. Lawrence seems to lose interest in the story, although he introduces a younger woman who walks away baffled at the end. His purpose seems to be to analyze the relationship between men and women in religious terms - Christianity for the women and the old Pan religion for the men. Lawrence produces some fine writing, but the argument at the end of the story seems contrived.

"The Princess" of the story is a spoiled, sexless woman who is thrown in with a passionate man whom she takes into her bed and then rejects. This rejection leads to his ultimate death. Lawrence again pleads his case for the necessary domination of woman by man and shows the sterility of a life lead without sexual passion. Set against the bleak mountains of South America, it is one of Lawrence's most enduring tales.

"You Touched Me" is a comic/tragic story of a forced marriage brought about by an accidental touch in the night, but the depth of the writing leaves the listener unsure if the couple are marrying for money or to release the passions realized by the touch.

"Rex" is a riotous story of the turmoil caused in a household by the arrival of a puppy. The setting is similar to the one found in Sons and Lovers, but Lawrence thought this scene deserved the fuller treatment of a short story. The question of the destructive force of unconditional love is left open.

"England, My England" is set in the years before the Great War of 1914, seen by some as an idyllic time of sunshine and peace before everything was shattered by the mechanized war. The family is placed in an idealized setting, deep in the English countryside, but there are snakes in this Garden of Eden. There is conflict between man and woman, brought to the fore by an accident to a child, and there is the seeming purposeless life led by the husband. The story ripples with the eugenic theories popular at the time, yet the conflicts are finally solved by the horror of the war.

Lawrence is often accused of misogyny, and this story used as evidence against him. There is the simple but honest mine worker who has taken on a wife who is "above" him, but who is struggling to understand her and her feelings for him. Slowly, the story unravels the woman's past. The listener cannot be entirely unsympathetic to her plight - Lawrence is too good a writer to let that happen - but her dishonesty has probably ruined two lives, and our feelings are for the husband.

"The Thorn in the Flesh" was written by D.H. Lawrence in 1914. The story can be listened to in tandem with "The Prussian Officer", which was written in the same year and has a similar setting and theme. In this story, the young soldier fights against his own shortcomings as a soldier and as a man. He flees the scene of his crime into the arms of his lover, where he finds solace and comfort, but he cannot escape the inevitable military machine that Lawrence hated.

"A Sick Collier". Lawrence returns in this story to the scenes of his childhood and the colliers he was brought up with. The wife in the story is probably based on his mother, although the husband is unlike the drinking, brutal father portrayed in Sons and Lovers, Lawrence's autobiographical novel. The story is a vivid portrayal of the life of a young couple when an accident strikes the husband down, but does not succeed as a short story, lacking any clear focus or message.

In "The Prussian Officer", there is an anti-militarism theme, unpopular as the nation drew near to war, and an examination of latent homosexuality as the officer in the story struggles with his feelings for his orderly. The young soldier is driven beyond his breaking point, but finds a kind of redemption in his final return to natural surroundings and, symbolically, he finds equality in death with his tormentor as they are put side by side in the mortuary.

"Christs in the Tirol" is more of an essay on this peculiar art form than a short story. It is included in this series as forming part of Lawrence's record of his wanderings in Europe, and partly as a record of Lawrence's attitude to religion and death and foreshadowing his own eventual suffering and death.

"Delilah and Mr Bircumshaw" was written by D.H. Lawrence in 1912. Lawrence is beginning to move away from his working-class roots in this story and exploring the relationship of a middle-class couple who have a slight argument, egged on by the wife's friend. Bircumshaw loses his dignity and self-respect for the comforts of married life. For all his insights into women, the misogynist in Lawrence can be detected.

In "Strike Pay", Lawrence returns to the scenes of his boyhood in Eastwood in Nottinghamshire. A group of miners, liberated from work by a strike, enjoy a day out, but the hard realities of home life and mothers-in-law await their return. Tinged with good humor and the sense of comradeship among the miners and finally between the miner and his wife, this story epitomizes working life before the Great War.

"Second Best" was written by D.H. Lawrence in 1912. In this delicate story of boy-girl love, Lawrence is at his best, intertwining the feelings of the two lovers with the natural world around them, the countryside, flowers, and fields, and the moles who are sacrificed to bring the lovers together. The young girl may consider her lover "second best", but his passion and honesty ring true.

"The Shades of Spring". In this story, the hero has moved on in the world and is married, yet cannot forget his old love. He retraces the steps to her farm, hoping for - what? He finds his old love attached to a physical young man who can give the girl what he could not - pure, physical love - and this she prefers to his more intellectual love.

"Her Turn" was written by D.H. Lawrence in 1912. Lawrence is at his best in this story, taken from the scenes of his childhood and based on characters he knew intimately. The scene can hardly be called a story in the traditional sense, being the altercation between a miner and his wife over the sharing of strike pay. Lawrence keeps the story lighthearted, almost comical, but the tensions of married life in hard times are just below the surface.

"The Miner at Home" was written by D.H. Lawrence in 1912. Lawrence is at his best in this story, taken from the scenes of his childhood and based on characters he knew intimately. The scene can hardly be called a story in the traditional sense, being the altercation between a miner and his wife over an impending strike, but as a picture of a working miner’s family, rich in detail and the Nottinghamshire dialect, it has a fascination and vividness.