Resultados narrador por "Antonia Beamish" en Todas las categorias

Charlie Wolfe jumps at the chance to help his uncle renovate a tumbledown cottage overlooking Nomansland Common. Number One Constable’s Cottages was once the home of the man charged with ridding the common of the highwaymen who terrorised travellers. But it’s the story of The Wicked Lady, the notorious female highway robber, that captures Charlie’s imagination, and some long winters’ nights he’s sure he can the hoofbeats of her horse echoing across time.

So when mum of two Beth moves out of her beloved marital home and into an unloved and unkempt cottage, she can’t help but feel demoralised. Faced with months of DIY and dust, her children Jacob and Olivia aren’t impressed either. But when Beth finds a box of letters while she’s clearing out the children’s room, things start to look up.

Present Day. When Hanna returns to Norfolk from years working abroad, the strange dreams of her adolescence return: indistinct figures in tunics, mighty soldiers in armour, gladiators, temples, an Iceni warrior woman leading her people. Gradually Hanna’s dreams begin to slip into the present as visions in the famous mists rolling across the fens, and as shocks of recognition when a new face moves to her childhood home. As Hanna realises that she has a connection with a tragedy that occurred many years before, so Brea has to understand that her fate is bound up with her Roman master.

Millie's always known her boss Freya is a psycho – the demanding and ever-changing coffee orders, the cryptic instructions, the apparently expected mind reading and don't even start on the insistence that Millie wears heels . . . All. The. Time. But it only extends as far as exacting office standards. Right? As Freya's assistant, Millie has privileged access to her diary and travel history and when a pattern emerges of men (who seem to have no connection to each other) dying in cities where Freya is travelling, Millie is determined to figure out what's going on.

When Adrianna arrives at the small, run-down cottage, near the sea in rural Norfolk, she can’t help but breathe a sigh of relief. Here she can forget her life in the city, and the problems she’s left behind there, at least for a while. But – like Adrianna herself – the cottage holds secrets. And when Adrianna finds a mysterious bundle of notes hidden under a floorboard, she can’t shake the idea that they’ve been waiting for her. Especially when – in the rambling, overgrown garden – she then finds a strangely-carved stone, drawing her into a centuries-old mystery…

Young Irish nurse Ellen arrives at May Day House, tasked with helping the men there rehabilitate. But there’s something strange about the house, surrounded by water, on its own island in the Thames. And then there are the men: traumatised by their experiences of war, and subject to troubling methods in a desperate race to get them back to duty. As Ellen gets drawn into the world of May Day House, she starts to realise this will be no place to hide away from her own troubles…

Laura is watching the world go by without her. Unable to leave her house since suffering a trauma, Laura is stuck gazing out of her window at Willow Crescent, relying on husband Jim and best friend Debbie for help. Then one day, Jim doesn’t come home. A day becomes two, days become a week, and still no sign of Jim. And with the police half-hearted in their efforts to look for him, Laura is forced into a decision. She’s going to have to face the world outside and find her husband herself. But what Laura hasn’t realised is that Willow Crescent is a community, eager to help.

When a firebomb attack at a Brighton travellers' site kills women and children, Chief Superintendent Jo Howe has strong reason to believe the new, dubiously elected, far-right council leader is behind the murders. Against the direct orders of her chief constable, Jo digs deeper into the killings. She uncovers a criminal ring of human trafficking and euthanasia all leading to a devastating plot which threatens thousands of lives and from which the murderous politician looks sure to walk away scot-free.

I have no idea why they think I had anything to do with Danielle’s accident. My only crime was being there when she fell down the stairs. My therapist, Justine, thinks I'm hiding something. She's quite the character, but I know what she wants to hear. She's the least of my problems. Because, yes. Maybe I am hiding something. But it's not what she thinks. And if people found out, it wouldn't be just my own life in danger...

I was taught that life is pain. That love is pain. It was unavoidable. Acceptable. I never had anything, or anyone I could count on. Not really. Not even myself. Until I met Dr Menon... To the outside world Lauren Taylor’s relationship with her boyfriend Josh is perfect. He is supportive and loving and has been there for Lauren during her darkest moments. But behind closed doors, secrets and lies can be hidden…

Present day. As a love affair comes to an end, and with it her dreams for her future, artist Selena needs a retreat. The picture-postcard Sloe Cottage in the Somerset village of Ashcombe promises to be the perfect place to forget her problems, and Selena settles into her new home as spring arrives. 1682: Grace Cotter longs for nothing more than a husband and family of her own. Separated by three hundred years, two women are drawn together by a home bathed in blood and magic.

It’s summer and holidaymakers are flocking to the idyllic Brittany coast. But when first an old traveller woman dies in suspicious circumstances, and then a campaign of hate seemingly drives another victim to take his own life, events take a very dark turn. Mila Shepherd has come to France to look after her niece, Ani, following the accident in which both Ani’s parents were lost at sea. Mila has moved into their family holiday home, as well as taken her sister Sophie’s place in an agency which specialises in tracking down missing people, until new recruit Carter Jackson starts.

When first published in 2001, it divided female critics and readers. One famous columnist wrote a piece demanding that Cusk's children were taken into care, that was she was unfit to look after them. Oprah Winfrey invited her on the show to defend herself and the book as protests grew about its honest, gritty account of the misery of those early months. It is a seminal, stand-out book on the complications of being an ambivalent mum in an age of white-washed, Annabel Karmel'd new families.

As a young civil servant, Caroline Slocock became the first ever female private secretary to any British Prime Minister and was at Margaret Thatcher's side for the final 18 months of her premiership. A left-wing feminist, Slocock was no natural ally, and yet she became fascinated by the woman behind the Iron Lady façade and by how she dealt with a world dominated by men. As events inexorably led to Margaret Thatcher's downfall, Slocock observed the vulnerabilities and contradictions of the woman considered by many to be the ultimate anti-feminist.

Grace Hughes: kicked to the bathroom floor by her partner, her back and side aching from where he slammed the door on her frail body, fighting to regain her breath, she can no longer ignore a simple truth: she must leave or he will kill her. Grace is a prisoner in her own home but she has a plan to get free. Detective Sergeant Maddie Ives is going to help her. Maddie now works with a team specialising in getting abused women to safety. She tells Grace to keep a diary, to write everything down so it forms part of the compelling evidence needed to send her abuser to prison.

Aftermath chronicles this perilous journey as the author redefines herself as a single woman and creates a new version of family life for her daughters. She discovers previously unknown strengths and freedoms but also finds herself suddenly vulnerable to outsiders, unwelcome advice, social displacement and the absence of a clear authority. The pressure to reconstruct a 'normal' life for her daughters competes with the sense that nothing feels normal at all.

In Traces, Professor Patricia Wiltshire will take you on a journey through the fascinating edgeland where nature and crime are intertwined. She'll take you searching for bodies of loved ones - through woodlands, along hedgerows, field-edges, and through plantations - solving time since death, and disposal of remains, from ditches to living rooms. She will give you glimpses of her own history: her loves, her losses, and the narrow little valley in Wales where she first woke up to the wonders of the natural world.

Meet Detective Maddie Ives in this new series that will have you gripped from the explosive start to one of the most shocking twists of the year. Early Sunday morning, a rainy city centre. A 10-year-old-boy steps out in front of traffic. He is dazed, confused and barefoot. He is covered in blood. It’s not his. Detective Maddie Ives is called out and finds the boy backed up against a shop front. He can’t or won’t speak. His face is a mask of shock and his whole body is tense. He’s ready to run again. He can’t tell her why. Who scared this boy out of his wits?

Paris, near the turn of 1933. Three young friends meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are Jean-Paul Sartre, Simone de Beauvoir and their friend Raymond Aron, who opens their eyes to a radical new way of thinking. Pointing to his drink, he says, 'You can make philosophy out of this cocktail!'

Meet Detective Maddie Ives in this absolutely gripping, race-against-time series opener from best-selling author Charlie Gallagher. A young woman’s body is left in a metal container in a remote location. The killer is careful to position her under a camera that links to his smartphone. He likes to look back at his work. He is watching her. But she isn’t dead. So he will return to finish the job. He can barely contain his excitement at the thought of getting to do it all over again. But he must be careful. He cannot rush. Rushing makes you careless....