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In The Stories We Tell: Mythology to Make Sense of Modern Lives, renowned mythologist Devdutt Pattanaik presents 72 tales from India’s rich treasure of myths and legends. These stories, ranging from folk tales in Andhra Pradesh on Lakshmana to Vedic stories on Indra, urge you to reconsider ideas of good, bad, love, faith and culture.

Hindu mythology abounds with fascinating gods, goddesses and characters whose visual representations—through calendar art—are equally colourful. Hindu calendar art may seem fantastic and kitsch, but it is in fact the most democratic expression of a mythic imagery that was once restricted to temple walls and palm leaf manuscripts. These portraits of the Hindu pantheon of gods and the stories that surround them can be found on the walls and puja rooms of almost every Hindu household in India. Rich in symbols, each image is a piece of an ancient metaphysical jigsaw puzzle.

It is a popular belief that the Ramayana is idealistic while the Mahabharata is realistic. Yet these two epics have identical building blocks, identical themes, and identical history. In this groundbreaking book, Devdutt Pattanaik, India’s most popular mythologist, explores the similarities and dissimilarities between the two epics in a ‘playful analaysis’. Whether it is the family structure, forest exile, or war, the comparison between the two epics prove a startling point - the Mahabharata is in fact a reaction to the events in the Ramayana.

Hindu mythology is full of tales in which animals play important roles. Some animals are looked upon with fear and dread while some are worshiped along with the gods. Some shape the fate of the world, others form everlasting bonds with humans. Where did the animals come from? From Vishnu’s avatars or Shiva’s asanas? How was a deer responsible for the events of the Ramayana? Why is Garuda the sworn enemy of the nagas? How did a mongoose teach Yudhishtira the true meaning of sacrifice?

Chi fa yoga spesso conosce i nomi delle asana più praticate, come Virbhadra-asana, la posizione del guerriero, o Hanuman-asana, la posizione della scimmia, ma non sa che si tratta di nomi che derivano dalla mitologia indiana: Virbhadra, per esempio, era un valoroso guerriero nato da un capello di Shiva, mentre Hanuman-asana rappresenta il grande balzo che portò il dio Hanuman, dalle sembianze di scimmia, dalle coste dell'India meridionale allo Sri Lanka.

Audible prastut karta hain Shiva Puran Devdutt Pattanaik ke Saath.

This book brings together 99 meditations to better understand the stories, symbols and rituals of that adorable elephant-headed Hindu god who removes hurdles and brings prosperity and peace. Known variously as Ganapati, Gajanana, Vinayaka or Pillayar, he can help all of us score a century in the game called life.

This book brings together 99 meditations to better understand the stories, symbols and rituals of that adorable elephant-headed Hindu god who removes hurdles and brings prosperity and peace. Known variously as Ganapati, Gajanana, Vinayaka or Pillayar, he can help all of us score a century in the game called life.

It is a popular belief that the Ramayana is idealistic while the Mahabharata is realistic. Yet these two epics have identical building blocks, identical themes and identical history. In this groundbreaking book, Devdutt Pattanaik, India’s most popular mythologist, explores the similarities and dissimilarities between the two epics in a ‘playful analysis’. Whether it is the family structure, forest exile or war, the comparison between the two epics proves a startling point - the Mahabharata is in fact a reaction to the events in the Ramayana.

This is a collection of some of the best stories selected by the Nobel Prize winner Rabindranath Tagore.

In Meri Gita, acclaimed mythologist Devdutt Pattanaik demystifies The Bhagavad Gita for the contemporary listener. His unique approach - thematic rather than verse-by-verse - makes the ancient treatise eminently accessible.In a world that seems spellbound by argument over dialogue, vi-vaad over sam-vaad, Devdutt highlights how Krishna nudges Arjuna to understand rather than judge his relationships. This becomes relevant today when we are increasingly indulging and isolating the self.

The multi-dimensional aspect of the characters found in the Hindu spiritual world is unlike any other. The Hindu Gods and Goddesses embody both positive as well as negative characteristics. Bhartiya Pauranik Kathaein discusses how these opposing energies are valued equally in the Hindu worldview and how they balance out over time. Not only does this book reveal the essence of the Hindu worldview but also helps interpret ancient stories to inform the contemporary generation.

Shiva, ‘the destroyer’ among the Hindu trinity (of gods), is depicted in many contradictory manners. He is an ascetic who wears animal skin, his body smeared with ashes. Contradictory to his wild nature, he is also depicted as having a family, with a beautiful wife and two children. There are many more such varied representations of Shiva, the most prominent of these being the Linga and the Nataraja. The author, Devdutt Pattanaik, introduces listeners to these varied aspects and representations and then sets about interpreting them.

In this audiobook, mythologist Devdutt Pattanaik explores the ancient Greek tales, opening us to a whole new world of stories. This audiobook toys with the idea of whether there was a connection between the Greek and Hindu mythologies. Could it have something to do with a common Indo-European root? Or were ideas exchanged when Greek emissaries travelled to the kingdoms of Mathura and Magadha?

One of the three Gods of Trinity in Hinduism is Lord Vishnu, also called the Lord of the world. In mythological texts, Vishnu is considered as the 10 incarnations of Dashavtar. Shri Ram and Shri Krishna are his most important incarnations. Vishnu's residence is in two different places: in the world, in Baikunth, and second, in the Kshir-Sagar, where he is seated on the eternal balance. In Bhagavad Gita, Vishnu has been considered as Vishwaroop or Virat Purusha. This book attempts to unlock the seven secrets of Vishnu that are relevant even in modern times.

Many modern scholars say Shiva’s linga is a phallic symbol. Most devotees disagree. Who is right? This book looks at the sexual metaphors associated with Shiva and uncovers the meaning beneath.

More than 500 years after the Sufi poet Malik Muhammad Jayasi wrote his epic poem Padmavat, the story of Padmavati, princess of Simhal, and her lover and husband, Ratansen, the king of Chittor, continues to capture the imagination of listeners everywhere. In Padmavat, we meet Padmavati’s friend, philosopher and guide - Hiraman - a parrot, as well as Nagmati - Ratansen’s first wife, and the brave Rajput warriors Gora and Badal.

Shiva, 'the destroyer' among the Hindu trinity (of gods), is depicted in many contradictory manners. The author, Devdutt Pattanaik, introduces listeners to these varied aspects and representations, and then sets about interpreting them. He explains the different anomalies and conflicts in beliefs, as well as the symbolism, rituals and reasons behind Hindu worship.

Taken literally, stories, symbols and rituals of Hindu mythology have much to say about gender relationships. Taken symbolically, they reveal many more things about humanity and nature. Which is the correct reading? The third title in the bestselling Hindu Trinity series focuses on the goddess, and respected mythologist Devdutt Pattanaik tries to unravel the secrets locked within her stories, symbols and rituals.

Locked in the stories, symbols and rituals of Vishnu is the wisdom of the ancestors, transmitted over hundreds of years. This book attempts to unlock seven secrets that are relevant even in modern times.