Títulos en Psicológica

On the day her daughter leaves for college, Anne Colwater's husband of 20 years announces he wants a divorce. Her roles of wife and mother suddenly gone, Annie retreats to her childhood home of Mystic, Washington, to heal. There she finds her old friend Nick, suddenly widowed and unable to cope with his emotionally scarred young daughter, Izzie.

Kirstie Rawlings is jolted awake by a child crying. Racing upstairs to check on her newborn, she is plunged into every parents’ worst nightmare. She hears an unknown voice in the baby monitor, saying: "Let’s take the child - and go." Is someone trying to steal her little girl? In the bedroom, her daughter is safe asleep in her cot. Is the voice coming from a nearby house? But there aren’t any other children living on her quiet country road....

It's Termination Day; the day medical staff decide whether to turn off the life-support system linked to coma patient Gabriel Radford. They are unaware he is suffering from "Locked-In" syndrome and is conscious but unable to respond.  

Naomi and I are best friends. School runs, dog walks, a shoulder to cry on over a glass of wine - we’re inseparable. But now my husband has walked out, I need her more than ever. I know she will help me pick up the pieces. Because she knows about the lie I told to protect her. She knows how much I’ve sacrificed for this friendship. And she’d never let anyone hurt me. Would she?

Gemma Ballantine is getting ready for work one morning when her eldest child comes running down the stairs saying the words every mother dreads. The front door is open. And her six-year-old daughter has disappeared. Frantic with fear, Gemma starts a nail-biting search for her little girl. After what feels like forever, her mother-in-law, Diane, finds Katie wandering lost a few streets away. Relieved to have her youngest child back in her arms, breathing in the sweet scent of her hair, Gemma thinks the nightmare is over. But then her perfect family starts to fall apart....

Lucy has a kind and adoring husband, a job she loves as a teacher, and a house on Mulberry Avenue with floaty curtains and the softest bed linen. After her troubled childhood, she knows life will never be perfect, but it’s pretty close. She’s also got Amber, right next door. They never run out of things to talk about. Even if Amber’s life - with her high-profile job and handsome, wealthy boyfriend - is more glamorous than Lucy’s, they share a down-to-earth sense of humor. But then Amber starts to hint that her life isn’t all it seems....

Le Paradise est ce club du Red Light de Montréal qui, en 1930, accueille les vieux garçons dans un espace nommé le ringside. C'est là qu'Édouard Tremblay aimerait bien faire son entrée dans le "grand monde", peu après son embauche comme vendeur de chaussures sur l'avenue du Mont-Royal. Car à presque dix-huit ans il est déjà emporté par le double qui l'habite, cette duchesse de Langeais qui deviendra son personnage de folle des nuits de la métropole.

Sur un paquebot entre New-York et Buenos-Aires, deux hommes s'affrontent sur un échiquier. D'un côté, Czentovic, champion du monde, à l'esprit apathique et au jeu méthodique ; de l'autre, monsieur B., un dilettante inconnu, aux combinaisons brillantes et subtiles.

"J'ai alors décidé d'écrire ce que j'avais tu si fort, dire enfin ce qui se cachait derrière l'exigence de séduire qui ne voulait pas me lâcher et qui m'a jetée dans l'excès de la prostitution, et si le besoin de plaire l'emporte toujours lorsque j'écris, c'est qu'il faut bien revêtir de mots ce qui se tient là derrière, et que quelques mots suffisent pour être lus par les autres, pour n'être pas les bons mots."

My daughter is dead. My husband and I cling to what’s left of our family, desperate to make sense of the tragedy. But when the sheriff knocks, he delivers news no mother should ever have to hear. Our daughter was murdered. And my son is the prime suspect. When we adopted 11-year-old Holden, we weren’t wearing rose-colored glasses. But we never could have imagined this. They say you can’t pick your family. But I picked mine. Did I choose my daughter’s murderer?

He stands in the shadows. Watching them. DI Sara Ramsey's life is about to change forever. Recently moved to the area and in charge of a new team, she's tasked with finding a serial killer terrorising a rural community. Crimes as heinous as this rarely happen in picturesque rural idylls. The community is living in fear, desperate for Sara to keep them safe. When the killer changes his MO and abducts a vulnerable resident, Sara realises she is in a race against time to prevent the killer from claiming yet another victim.

Marianne has a life others dream of. A beautiful townhouse on the best street in the neighbourhood. Three bright children who are her pride and joy. Sometimes her past still hurts: losing her mother early, growing up in foster care. But her husband, Simon, is always there. A successful surgeon, he’s the envy of every woman they’ve ever met. Flowers, gifts, trips to France: nothing is too good for his family. Then Simon says another woman’s name. The way he lingers on it, Caroline, gives Marianne a shudder of suspicion, but she knows it’s nothing - she can’t entertain this flash of paranoia.

While renovating her Victorian home, Ana Clementine finds an ornate door buried under forty years of earth. Once she restores it to the attic, she starts hearing whispers, her loving husband has become a stranger, and her baby daughter learns a chilling new word. Maybe Ana has unlocked the house’s secrets. Or maybe she’s becoming just a little unhinged herself.

Ever since high school, somebody’s been playing the echo game on Will Williams. A look-alike with the same tattoos and the same name has been following him. Starting by implicating Will in petty crimes, and escalating to offenses with serious prison terms, he’s undermined every attempt Will has made to get his life on track. Now, drifting from city to city, Will’s doing everything in his power to outrun his shadow.

Lauren is angry enough that her mother couldn’t find time to show up to the opening of her new art gallery. But when she gets home and discovers the gift her mother has sent instead, Lauren comes undone in the face of a temptation that will push her to the edge, closer to her demons and the bitter taste of a mother’s love.

"Are you my mummy?" Tessa Markham returns home to find a child in her kitchen. He thinks she’s his mother. But Tessa doesn’t have any children. Not anymore. She doesn’t know who the little boy is or how he got there. After contacting the police, Tessa is suspected of taking the mystery child. Her whole life is turned upside down. And then her husband reveals a secret of his own. Tessa isn’t sure what to believe or who to trust. Because someone is lying. To find out who, she must confront her painful past. But is the truth more dangerous than Tessa realises?

"Tu ne laisses rien affleurer à la surface. Quand on vit avec un volcan, on sait que les profondeurs bouillonnent de lave incandescente. Tu sais, Hekla, tu projettes d'énormes blocs de pierre dans toutes les directions... ils détruisent tout sur leur passage... tu es un rocher imprenable, un buisson de ronces..." La jeune Hekla, par un beau jour de l'année 1963, débarque de sa campagne à Reykjavik. Elle veut devenir écrivaine.

Amy Penrose knows how it feels to grow up in a home where your parents harm you more than raise you. Now an adult, she’s newly qualified as a child psychologist and hopes to help children who’ve gone through struggles of their own. When a father brings a 12-year-old boy into her office, she recognizes the bruises and the way the boy withdraws into himself. And she wants to help. As she delves into the family’s past, and starts to feel unsafe in her own home, she starts to wonder if this is one child beyond her help....

The first novel to appear in English by one of the most talked-about and critically acclaimed writers of new Mexican fiction. From a psychoanalyst's couch, the narrator looks back on her bizarre childhood - in which she was born with an abnormality in her eye into a family intent on fixing it. In a world without the time and space for innocence, the narrator intimately recalls her younger self - a fierce and discerning girl open to life's pleasures and keen to its ruthless cycle of tragedy.

"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine, and reprinted with minor textual alterations in his The Piazza Tales in 1856. A Wall Street lawyer hires a new clerk who, after an initial bout of hard work, refuses to make copy and any other task required of him, with the words "I would prefer not to".