Títulos en Literatura y ficción

Tes nas mans a obra de teatro que Domingo Villar deixou rematada e que entregou a Editorial Galaxia para a súa publicaci6n. Tratase dunha peza protagonizada por un escritor que se atopa nun bloqueo creativo dende hai anos. Sobre todo é unha obra moi divertida, como era o seu autor. Así, co fino sentido do humor que Domingo destilaba, desfilan pola escena as filias e as fobias de moitas escritoras e escritores ao Iongo da súa carreira literaria, que teñen que ver cos medos, as inseguridades e as paranoias de quen se dedican a escribir.

Los planificadores trabajan en la sombra para organizar crímenes que ejecutarán asesinos profesionales como Reseng. El joven, que ha crecido entre las paredes de una biblioteca y entre asesinos y conspiraciones, ha sido educado por un planificador al que llaman Viejo Mapache. Reseng cumple con su inevitable destino y se convierte en un asesino, hasta que rompe las reglas. Ahora solo le queda confiar en tres mujeres que trabajan por su cuenta y que han ideado su propio complot, pero ¿puede fiarse de ellas?

Una novela satírica de Frederik Pohl. Explora una sociedad futura donde los baby boomers envejecidos toman el poder, lo que lleva a un cómico choque de generaciones y agitación social.

Após uma década de trabalho mediana, Rick Dalton acha difícil engolir a ideia de que a indústria cinematográfica passa muito bem sem ele, obrigado. Sentindo que sua carreira de ator está cada vez mais próxima do fim e mergulhado em uma crise existencial, Rick está disposto a se submeter ao lobby cruel de Hollywood para tentar adiar sua ruína. Para isso, vai cogitar uma investida no cinema italiano, encarnar um vilão controverso em uma série de faroeste e aceitar conselhos profissionais de uma respeitada atriz de oito anos de idade.

Los lectores que se hayan internado en las páginas de "El efecto Tyndall", se van a encontrar en "Atmósfera para amantes y ladrones" con algunos de esos entrañables personajes, en nuevas y divertidas aventuras. Esta obra no es ni una continuación ni un preludio de la anterior, sino que es una comedia que, aun siendo tejida con los mismos hilos, se puede leer independientemente de su predecesora. Atmósfera para amantes y ladrones es una novela negra, muy negra, escrita en clave de humor, de mucho humor.

Publicada originariamente en 1818, La abadía de Northanger narra la historia de Catherine Morland, una joven ingenua aficionada a la lectura de novelas góticas. Invitada por los Tilney a pasar una temporada en su casa de campo, se dedicará a investigar tortuosos e imaginarios secretos de familia. Pero cuando finalmente todo se aclare y comprenda que la vida no es una novela, la inocente Catherine pondrá los pies en la tierra y encauzará su futuro según dictan las normas morales y sociales de la época.

Burdened by debt after her husband's death, Lucy Muir insists on moving into the very cheap Gull Cottage in the quaint seaside village of Whitecliff, despite multiple warnings that the house is haunted. Upon discovering the rumors to be true, the young widow ends up forming a special companionship with the ghost of handsome former sea captain Daniel Gregg. Lucy finds in her secret relationship with Captain Gregg a comfort and blossoming love she never could have predicted.

Sally has recently left an unfulfilling job to volunteer at a living history museum, where she is assigned to the Death House. Every day, she dons Victorian mourning garb and describes traditional funeral services to tourists. It sounds depressing as hell, but for Sally, it’s less depressing than her tepid marriage to her childhood sweetheart. This becomes all too clear when she accidentally travels through time and space to a liminal world where the ghosts of the living history museum haunt its grounds. There, she meets and falls hard for Victorian-era pretty boy Nathaniel.

Es una sucesión perturbadora en la que la conciencia adquiere una dimensión real y los impulsos más secretos se presentan con toda su altanera desnudez: el amor conyugal, el amor por las letras, el amore de las madres, el platónico, el primer amor, el amor en la posmodernidad, el amor por el trabajo, y otros amores y desamores, inconfesables, condenados, acomodaticios que, unos más que otros, nos matan.

Retour à la case départ. Après des années de galère, Renton, Begbie, Sick Boy et Spud se retrouvent dans le huis clos froid et pluvieux d'Édimbourg. Le crack, la misère et les coups foireux sont au rendez-vous, mais la rage de vivre demeure. Avec Nikki, une étudiante invraisemblablement belle et hantée à l'idée de vieillir, ils décident de s'en sortir en produisant... le porno du siècle.

This funny, down-to-earth parody of Marie Kondo’s The Life-Changing Magic of Tidying Up hands listeners the most useful tools for keeping crap clean and organized without all the pressure.

When 25-year-old Kat is dragged to a porn convention by her best friend, she's both embarrassed and nervous. The last thing she ever expects is to meet someone who makes her laugh like no other. This is a story about acceptance and friendship and a love born out of the most unexpected of places.

The Diary of Nobody (1892) created a cultural icon, an English archetype. Anxious, accident-prone, occasionally waspish, Charles Pooter has come to epitomize English suburban life. His diary chronicles encounters with difficult tradesmen, the delights of home improvements, small parties, minor embarrassments, and problems with his troublesome son. The suburban world he inhabits is hilariously and painfully familiar in its small-mindedness and its essential decency.

Eugene Debs Hartke describes an odyssey from college professor to prison inmate to prison warden back again to prisoner in another of Vonnegut's bitter satirical explorations of how and where (and why) the American dream begins to die. Employing his characteristic narrative device - a retrospective diary in which the protagonist retraces his life at its end, a desperate and disconnected series of events here in Hocus Pocus show Vonnegut with his mask off and his rhetorical devices unshielded.

Walter Starbuck, a career humanist and eventual low-level aide in the Nixon White House, is implicated in Watergate and jailed, after which he (like Howard Campbell in Mother Night) works on his memoirs. Starbuck is innocent (his office was used as a base for the Watergate shenanigans of which he had no knowledge), and yet he is not innocent (he has collaborated with power unquestioningly and served societal order all his life). He represents another Vonnegut Everyman caught amongst forces he neither understands nor can defend.

Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them just fine. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather forecasts, and tins of pineapple chunks---not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency.

A soldier in the First World War who never actually sees any combat, Josef Svejk is the awkward protagonist - and none of the other characters can quite decide whether his bumbling efforts to get to the front are genuine or not. Often portrayed as one of the first anti-war novels, Hasek's classic satire is a tour-de-force of modernist writing, influencing later writers such as Hemingway, Faulkner and Joseph Heller.

Petronius’ Satyricon is a rampant and vivacious Roman adventure dating back to the first century, during the reign of Nero. It follows the exploits of Encolpius, an impoverished ex-gladiator, and his boy-lover Giton. The action is fleet and the narrative sweeping: over the course of their journey we meet a host of lewd and comical rogues, including beggars, prostitutes, poets, sodomites, and pedants, and witness many strange and curious events, including a remarkably vulgar multi-course feast, hosted by the pompous nouveau riche Trimalchio

When you take the most absurd parts of history, science, economics, and geography, you end up with a pretty confusing picture of humanity. Why do we have borders? What's the furthest you can get from the ocean? And why did Vikings wear those silly helmets? These are just a few of the strange questions that bounce around the head of Joseph Pisenti. In his YouTube channel, Pisenti presents illogical truths in a logical manner. Here, he builds on this nonsensical humor of the universe with in-depth analysis of empires, economies, and ecosystems as he helps answer the ridiculous.

Tres historias corrosivas, disolventes. La que da título al audiolibro es todo un tratado sobre la maldad inherente a las buenas intenciones y su producción fraudulenta, tanto ideológica como artística y hasta sanitaria. En "Atalanta vuelve a correr" se da un juego -un juguete literario- en el que los personajes mitológicos apenas logran huir de la indencia de un presente lastrado por la política sucia y consuetudinaria (se alude muy en concreto a cierta alcaldesa padecida por los ciudadanos de Madrid.