Títulos en Literatura y ficción

I’ve never felt like I fit in, but that changed the day I met him. Liam West. He was larger than life, even back when we were kids. He protected me from every awful thing life threw at me, but somewhere along the way my fascination with him turned into something more. Something filled with pain. I’ve tried to put distance between us, but it never works. Liam will never let me get too far from him. All I can do is stay high enough to forget the hopelessness of it all.

Having only recently ascended from your average nobody to what many would consider the pinnacle of humanity, the inexperienced Cat is overwhelmed, to say the least. She’s worried about how her girlfriend, Lucy, will react to the changes, and wonders whether she can use her newfound power and growing influence to care for her “kittens,” a group of orphans in her charge. Meanwhile, as if black-ops assassins and their corporate masters weren’t dangerous enough, the alien Antithesis have infiltrated the mining town of Black Bear.

Notable literary figures pay tribute to poet/writer Justin Chin with personal commentaries on works selected from his seven books. Justin Chin's fearless and fierce voice was resolute in relating his worldview, whether directly or through metaphorical language. As a queer Asian American, born and raised in Southeast Asia within a devoutly Christian, ethnically Chinese family of medical professionals, Chin's early life experience informed his writing and framed his point of view.

Completed by Robert Aickman in 1975, but never before published in the USA, Go Back at Once is a delicious, delirious comic fantasy about the joys and terrors experienced by two young women seeking to escape the degradations of our technological and conformist age by fleeing to a chaotic, poet-ruled utopia.

Taking its inspiration from Great Expectations, this novel teases us with the question of what Pip might have been like had he grown up in the American South of the 1960s and 1970s. A guilty encounter with an escaped felon, a summer spent working for an eccentric man with a mysterious past, conflicted erotic feelings for his employer’s niece and nephew—these events set the stage for a journey of sexual and moral discovery that takes Newt Seward to New England, Rome, and Paris—all before returning home to confront his life’s many expectations and disappointments.

Qualcosa di terribile è successo all’Istituto di Metodi Sperimentali Rewar Teng. Quando sono arrivati, gli investigatori del Tensorato si sono trovati davanti a una distesa di sangue e ossa a perdita d’occhio. Uno degli esperimenti dell’Istituto è sparito, e non ha lasciato superstiti. Gli investigatori tornano alla capitale senza molti indizi, ma con due prigionieri: il capo dei terroristi Sanao Akeha e unə suə compagnə conosciutə come Rider.

A woman impersonates a nun online, with unexpected consequences. In a rapidly changing neighborhood, tensions escalate around two events planned for the same day. The barista girlfriend of a tech billionaire survives a zombie apocalypse only to face spending her life with the paranoid super-rich. From an underground bunker to Toronto and back again, the stories in Householders move effortlessly between the commonplace and the fantastic. In deft and exacting narratives, Kate Cayley mines the moral hazards inherent in the ways we try to save each other and ourselves.

Vasco Brondi dà voce all'opera prima di Pier Vittorio Tondelli, una raccolta di racconti, pubblicata nel 1980 che l'autore definiva come "romanzo a episodi". L'iniziazione alla vita, al sesso, ai sentimenti, alla droga e al viaggio di quella generazione che è stata la protagonista del movimento del Settantasette.

Meet Brooke: a bisexual Bridget Jones, a millennial Meg Ryan, a girl standing in front of a boy asking him—wait, it doesn’t have to be a boy? For Brooke, ‘The One’ could be anyone. As long as it’s the type of (actually highly problematic) movie love she’s watched on repeat since she was a little girl. Brooke writes algorithms for a dating app, which is odd given what a hopeless romantic she is.

Prelude to Bruise is a song from a tightrope, balancing ecstatic existence and the chaos that always threatens to engulf a life on the margins. How do we reckon our past without being ravaged by it? How do we use people, their bodies, to express ourselves? Danger is everywhere in these poems, but never overwhelms them; the poet is always an anchor on the other side. And his story carries us relentlessly along.

Why I Was Late fuses text with performance, bringing a transmasculine wisdom, humor, and experience to bear upon tailgates, spaceships, and wrestling rings. Fierce, tender, convention re-inventing—Petch works hard. And whether it’s as a film union lighting technician, a hospital bed allocator, a Toronto hot dog vendor, or a performer/player of the musical saw, the work is survival. Heroes are found in unexpected places, elevated by both large and small gestures of kindness, accountability and acceptance.

The mystics who coined the phrase "the way of affirmation" understood the apocalyptic nature of the word yes, the way it can lead out of one life and into another. Moving among the languages of Christian conversion, Classical metamorphosis, seasonal transformation, and gender transition, Luke Hathaway tells the story of the love that rewired his being, asking each of us to experience the transfiguration that can follow upon saying yes—with all one’s heart, with all one’s soul, with all one’s mind, with all one’s strength ... and with all one’s body, too.

Suddenly jobless and single after a devastating layoff and a breakup with his cheating ex, advertising copywriter Dominick Gibson flees his life in Hell's Kitchen to try to get back on track in his hometown of Detroit. He’s got one objective—exit the shallow dating pool ASAP and get married by 35—and the deadline’s approaching fast.

Returning to rural Vermont for her senior year after time abroad, New Yorker Daphne Howard just wants to make it to graduation. She’s still processing the sting of her social circle moving off-campus under the thrall of Serena Vigil, a talented poet from Texas who happens to be Daphne’s nemesis. But when a gruesome story overheard at a local bar leads Daphne to consider an unusual artifact discovered on campus in a new light, friends, lovers, and others unite to confront the collision of present and past, political, and personal.

Banjo "Jo" Mitchell has a lot to drink about: he's 25, his boyfriend walked out, he's not paid the rent and Australia is voting on his right to marry. Overwhelmed by shame, every passing bus is a tempting opportunity for Jo to leave this life behind. The only thing stopping him is a last glimmer of hope that things may get better, but is a glimmer enough?

Bonnie Lincoln just wants to be left alone. To come home from work, shut out the voice that reminds her of some devastating losses, and unwind in front of the nostalgic, golden glow of her favorite TV show, Three's Company. When Bonnie wins the lottery, a more grandiose vision—to completely shuck off her own troublesome identity—takes shape. She plans a drastic move to an isolated mountain retreat where she can re-create the iconic apartment set of Three's Company and slip into the lives of its main characters.

When his father falls ill, Andrés, a professor of public health, returns to his suburban hometown to tend to his father's recovery. Reevaluating his rocky marriage in the wake of his husband’s infidelity and with little else to do, he decides to attend his 20-year high school reunion, where he runs into the long-lost characters of his youth.

Eighteen-year-old Ruadora Dammacus now possesses the Immortal Blade. But when Rua discovers the Northern King’s uncle is alive and has cast a spell on a blue witch army, she realizes that the battle is just beginning. Venturing into the Northern Court, Rua finds herself with an ally in the new King. Her problems are mounting, and the handsome King is only one of them. With the eyes of her newfound family on her, can Rua prove herself worthy of the Immortal Blade, or will its magic be too powerful? Danger, intrigue, and passion ensue as Rua battles to break the witches’ curse.

This genre-bending debut collection of stories constructs eight eerie worlds full of desire, wisdom, and magic blooming amidst decay. In stories that beckon and haunt, Fruiting Bodies ranges confidently from the fantastical to the gothic to the uncanny, as it follows characters—mostly queer, mostly women—on the precipice of change.

In 1967, Fay Stonewell, a water tank escape artist in Florida, leaves for Vietnam to join the Amazing Humans—a jerry-rigged carnival there to entertain the troops—abandoning her disabled teenage son, Dickie, to the care of an abusive boyfriend. Months after Fay’s departure, Dickie’s troubled home life ends in a surprising act of violence that forces him to run away. He soon lands in Manhattan, where he’s taken in by eccentric artist Laurence Jones. Fay, meanwhile, is also facing dangerous threats.