Títulos en Distopía

The train station harbors danger. Each day, one portal opens, leading to daunting trials and battles of life and death commanded by masked facilitators. Asher is forced to rely on his instincts and his weapon. He must navigate this treacherous world, both solo and with teams, and contend with other players, each harboring their own motives and ambitions. Confronted with unimaginable challenges, every day unveils a new hurdle, and each victory is bitterly earned. In this world intent on crushing him, Asher must fight to survive.

Novela rupturista, novela fractal, intento de atrapar la complejidad de un mundo que se desmorona ante nuestros ojos, Big Rip es la novela total de nuestro presente. También, una experiencia abierta, inagotable, en la que la naturaleza del texto es el propio desborde de lo humano.

La humanidad está en un momento crítico: todas las fuentes de agua potable están contaminadas y para subsistir la humanidad depende del silicio, un recurso agotado con el que se construyen los paneles solares que dan energía a las plantas potabilizadoras de agua. El contacto con un planeta similar a la Tierra llamado Madre parece ser la salvación: ellos poseen el recurso que los terrícolas necesitan para sobrevivir. Pero la ayuda solo será posible si la Tierra se adapta a una nueva forma de vida, que involucra la transformación espiritual más profunda.

Ciudad de México, año 2026. Kalelia, una joven de 25 años, regresa al país después de casi una década fuera para asistir al funeral de su padre. Se encuentra con una ciudad que volvió, a medias y a la mala, a su condición lacustre y que vive en penumbra por la erupción del volcán Popocatépetl. Cuitláhuac Blanco, antigua gloria del balompié nacional, es el presidente de la nación. La realidad naufraga en sí misma, pero a nadie parece importarle, pues en pocos días comenzará el Mundial de futbol México 2026 y ¡ahora sí vamos a ganar!

Todo, tal y como lo conocíamos, ha cambiado. El calor es agobiante, se ha agrietado el cielo y la geografía es otra. La humanidad, además, se ha duplicado. Entonces se desata una guerra global entre fuerzas igualadas cuya clave parecerían ser las niñas y niños de los orfanatorios. En una de esas instituciones comienza la más arriesgada y madura de las novelas de Emiliano Monge.

Casa de campo es una brillante alegoría del poder y la rebelión. La mansión señorial donde los Ventura, sus cónyuges y sus treinta y cinco hijos pasan el verano, lejos de la civilización, se alza como un espejismo en medio de la llanura. Por sus salones, pasillos, escalinatas y torreones deambulan los niños, poblando la casa con intrigas, transgresiones y juegos que cuestionan una perversión mayor: el orden impuesto por sus aristocráticos padres.

El error es el cuerpo. Morir es fallar. En 2070, una forma nueva de la vida eterna se ha convertido en el mayor logro de nuestra civilización. La palabra china pronunciada tsian - paraíso - es el invento que la gran Samar ofreció al mundo y que ha transformado las vidas y las muertes de miles de millones. Pero más allá de lo que cuenta la mitología oficial nadie conoce su verdadera historia.

The trek to find Chace has finally begun—only for Nyx and River to be rocked to the core. Can they press on from the devastating attack and complete their journey? Or will they be knocked back before they've even started? One thing's for certain: it's a long road to Bastion City. The western Wastes are a barren, empty void until you reach the poisoned sea. Most who set out never return. But is that because they're empty or because they're not? After a devastating loss of contact with the only home base they know, Nyx and River are truly alone in the barren landscape.

The electric, unsettling, and often surreal stories in Let's Go Let's Go Let's Go explore the alienated, technology-mediated lives of restless Asian and Asian American women today. A woman escapes into dating simulations to forget her best friend’s abandonment; a teenager begins to see menacing omens on others’ bodies after her double eyelid surgery; reunited schoolmates are drawn into the Japanese mountains to participate in an uncanny social experiment; a supernatural karaoke machine becomes a K-pop star’s channel for redemption. In every story, characters refuse dutiful, docile stereotypes.

In the late 2020s and early '30s, corporations managed to render the major governments of the world obsolete. The big corporations owned most of the territories as well as the majority of the world's wealth. While many of the old traditions were still observed in various parts of the world, the true power was with the corporations. In the late '30s, what would be known as the Corporate Wars began as larger companies initiated hostile takeovers in a whole new fashion. Employees, armed with corporate weapons, warred for dominance. On May 1st, 2067, it all ended in a nuclear fire.

In the year 2107, the world has both made astounding leaps forward and reduced humanity to its most basic existence. While the megacorps and those who rule them enjoy lives of extraordinary comfort and ease, most people barely scrape by, doing whatever they can to keep going. Juliet Bianchi is one of the latter. She works cutting metal in a scrapyard and doesn't have much to show for it except for a small group of equally bereft, fiercely loyal friends. Still, she maintains a bright disposition, possessing more hope and optimism than anyone would expect her to—and she's going to need it.

Unforeseen and catastrophic, the Reset unleashed a series of events that destroyed the Earth in unimaginable ways. Amidst the ruins, the resilient few must wage a desperate battle for survival, while others hunger for dominion over the remnants. In a relentless race against time, who will emerge triumphant in the ultimate struggle for survival?

Desert is consuming the North American continent, Europe was wiped out by a cataclysmic meteor shower, and the world's oceans are unsalvageable poison. Those who could afford to flee to space are long gone, leaving the rest behind in the dust. Nyx is completely alone, scavenging the ruins of humanity to get by. With her brother suddenly missing, the only people she can trust are herself and her busted-up Bronco. Scavenging earns her enough water credits to stay alive but with no margin for error. When a stroke of unexpected luck sends her back to the nearest tent city, things go sideways.

The Rage Wars are over. Society has fallen. Untold millions are dead. The survivors are faced with a horrible, chaotic future. Except in the domed city of Altor, where life is safe and good. There is plenty of food and fresh water, and crime is essentially unheard of. But there is a threat to even that oasis of safety. A threat that will come from within the dome.

As a teenager, Quinn Starkweather builds a computer program that accurately predicts world events. He has created a Nostradamus machine. While Quinn becomes very wealthy, the program predicts the world will be torn apart by financial inequity. The 99.9% will rise up against the billionaires in what is dubbed The Rage Wars. The world stands on the razor’s edge of disaster. With enough warning of the coming apocalypse, Quinn builds an ark in the desert—a self-sufficient domed city he calls Altor.

As the Russian contingent and government tyrants begin to lose power, they turn to bioweapons in their fight against the resistance. Infected mosquitos carrying a modified strain of Malaria are released into the rural water supplies and the results are devastating. Battling a growing Russian military presence along with displaced gang members, the patriots now must suffer the ravages of this ancient disease. Can they survive and more importantly, can they win?

After the arrival of the multiversal monopoly BuyMort, life got brutal. All systems were through BuyMort. All currency was through BuyMort. All sales were through BuyMort. You could resist, you could compete, but it didn’t really matter because in the end you used BuyMort—or you perished. BuyMort be praised. But not everyone’s happy with the new system. Some, even, want to see it destroyed. It’s quick. It’s convenient. And it will help people kill you and your family as readily as it will help them sell you knickknacks for a quick mortie.

Matthew Kade was a corporate assassin—one of the best agents Obsidian Corporation had. But then the bombs began falling, and the old world ended. Now he must navigate the new world he finds himself in: a world where the strongest survive, and the weaker do their bidding…or die.

An apocalypse has snatched away most of humanity; the ragged, remaining few are picking up the pieces. Was it the Rapture as revealed to St. John, or some other calamity of biblical proportions? The Kid hears his calling: to find the source of the evil, and put an end to it. He seeks out the help of the Old Man—who, in his own time, traveled to the ends of the Earth and back, in his own vain quest to save the world. Together, they set off across a grim landscape populated by survivors turned brigands, bandits, and exhausted warring factions.

Hobart, 2022: a city with a declining population, in the grip of a dark recession. A rusty ship sails into the harbor and begins to unload its cargo on the site of the once famous but now abandoned Gallery of Future Art, known to the world as GoFA. One day the city’s residents are awoken by a high-pitched sound no one has heard for two generations: a factory whistle. GoFA’s owner, world-famous billionaire Dundas Faussett, is creating his most ambitious installation yet. He’s going to defeat technology’s dominance over our lives by establishing a new Year Zero: 1948.