Títulos en Música

Cavalleria rusticana is the short opera that has all the elements of a grand opera compressed into a single highly dramatic time span. The story of love, lust, blood-feud, and betrayal played out against the pageantry of the Easter celebrations in a Sicilian village delivers an emotional wallop because of the youthful vigor and musical wealth of its great score which includes the glorious "Easter Hymn" and the deeply moving "Intermezzo". Mascagni was never to repeat his youthful success but this brief work is enough to ensure his immortality.

Brahms is one of the best loved yet most controversial of all the Romantics. Almost uniquely, his works have never suffered the slightest period of eclipse. Profoundly emotional yet governed by an iron discipline, the music, like the man, is a fascinating, entertaining, often deeply moving blend of opposites. He had a gift for friendship and a capacity for love far beyond the ordinary, yet no man could be ruder or more hurtful.

The lives and music of the great composers of classical music unfold in this entertaining account, introduced by singer and presenter Aled Jones. In 1200 years, classical music grew from the chanting of medieval monks through the symphonies of Beethoven and the grand operas of Wagner to the huge orchestral sound-world of the 21st century, with its electronics and its film music.

La Traviata owes its enduring popularity to a superb story of young love and fatal sacrifice, set to music by Italy’s master melodist at the peak of his powers. Interest and poignancy are added by the fact that this is a true story - the baritone ‘heavy’ is Alexander Dumas who wrote The Count of Monte Cristo. But it is the central figure, the heroine Violetta, the archetypal ‘whore with the heart of gold’ who dominates the piece. It is her opera and we love her for it.

La sonnambula was written by Bellini as a vehicle for two of the supreme singers of his age and accordingly is a fine example of the school we call bel canto, where beauty of voice and the virtuosity of the singers is integral to conveying the emotions in the soul of the composer. The fact that Bellini was one of the great melodists, writing long, beautiful vocal lines, that he was a master orchestrator and that he could write stirringly for the chorus all conspire to make La sonnambula extremely enjoyable.

The life of Franz Liszt was as daring and spectacular as his music. Famed throughout Europe as the greatest pianist of the nineteenth century, he was one of the most original and prophetic composers who ever lived. Beautiful in youth, glowering in age, his high-profile love affairs were the talk of the town wherever he went and his generosity to young musicians was legendary. In this account of his epic life, actors’ readings combine with plentiful musical excerpts to paint a living portrait of a highly complex man.

Symphonies, quartets, concertos and keyboard works poured from the pen of Joseph Haydn, making him one of the most important figures in classical music. Jeremy Siepmann tells the story of the man and his work in this lively autobiography, enhanced by numerous examples of the music itself, taken from the Naxos catalogue. There is no better programme with which to mark the 200th anniversary of the composer's death.

One of the best-loved composers of all time, Dvorák rose from rural origins to become not only a great but an influential composer. The first composer to put his native Bohemia on the musical map of the world, he was invited to do the same for America. One result was the famous "New World" Symphony, which made him a household name across the globe. Writing music of irresistible color, lilt and peasant vitality, he was also a melodist-in-a-million. This portrait-in-sound follows a lovable and in many ways a very simple, man from hay cart to imperial palace, from tragic loss to heart-warming joy, to pigeon-raising and world celebrity.

Bach, Vivaldi, and Handel are the three great composers of the Baroque era, though there are many other well-known figures, including Albinoni, Pachelbel, and Scarlatti. This engaging introduction, interspersed liberally with music, shows how the works of these composers graced the courts and churches of Europe from 1600 to 1750. It is a fascinating story.

Die Fledermaus is one of the few operatic works to which the phrase "never a dull moment" can be truthfully applied. From the explosive opening of the famous overture - reminiscent of a volley of champagne corks - through the surging energy of the "Fledermaus Waltz" and the many comic numbers, of which the accelerando trio is the finest, up to such huge concerted numbers as the "Duidu" finale to Act II, this is an operetta which almost incarnates nostalgia. Thomson Smillie and David Timson infuse their exploration of Die Fledermaus with as much life as the operetta itself.

No great composer’s story is more predominantly happy than Haydn’s, though even his has its share of clouds. A classic rags-to-riches tale, it sees him move from humble beginnings through decades as a liveried servant to his emergence as the most popular and successful composer of his time. One of the healthiest and least neurotic artists in musical history, he did more than any other single figure to pioneer the symphony, the piano sonata and the string quartet - and he was the first truly great practitioner of each.

Tchaikovsky is one of the most popular composers of all time. His melodies are known to many people who may never have heard his name. They crop up on mobile telephones, alarm clocks and answering machines as often as on records and concert programs. Like his music, the man himself was widely loved, but his inner life was fraught with sufferings, confusions and a deep vein of self-doubt. The drama of his emotional life is vividly reflected in his music, letters and diaries, all of which play a major part in this intimate portrait-in-sound.

Liszt's life was as daring and spectacular as his music. Famed throughout Europe as the greatest pianist of the 19th century, Liszt was one of the most original and prophetic composers who ever lived. Beautiful in youth, glowering in age, his high-profile love affairs were the talk of the town wherever he went and his generosity to young musicians was legendary. In this account of his epic life, actors’ readings combine with plentiful musical excerpts to paint a living portrait of a highly complex man.

Il Trovatore has been ruthlessly parodied. It is a tale of murder and mayhem, burned babies, roasted hags, would-be nuns, strolling minstrels, and bad baritones. And indeed the libretto does call for a willing suspension of disbelief. The reward is in the music, a score as prodigally melodic as only the mature Verdi could write: the "Anvil" chorus, the "Miserere" scene, two great tenor arias, a beautiful baritone aria - a richness without embarrassment.

Nacidos en los 90 bajo la gloriosa estela de The Beatles, The Kinks, The Who, los Rollings Stones y demás, este movimiento se encargó de darle a la música un aire nuevo, estilizado, fresco y renovado del añorado rock de los 60. Mucho de su éxito, premisa que los eleva a la categoría de grandes, provino merecidamente de la enorme calidad de sus propios ejecutantes (Oasis, Blur o Rdiohead). Una feliz renovación.

Fidelio is a work like no other. Beethoven’s only opera is about the joy of married love - by a man who never knew that pleasure. It is about heroism by a man who was often mean and petty in his human relations; it is about freedom by a man who was a prisoner of his own deafness; and ultimately it is about joy by a man who experienced precious little of it.

Following on the success of The Story of Classical Music, Darren Henley and Aled Jones combine forces again to tell, in more detail, the lives of six key composers: Bach, Vivaldi, Mozart, Beethoven, Dvořák, and Shostakovich. Their colourful lives and their love of music is told against the backdrop of some of their finest works - an ideal combination.

Pagliacci may be the most completely compelling short opera in the repertory and owes much of its impact to a brilliant story based, it is said, on true life and told through the device of a play-within-a-play. The action is set in Calabria in the deep south of Italy where the jealousies and illicit passions of a troupe of strolling actors precisely intersect with the play they are performing - to both touching and tragic effect.

Set against the music we know and love, Mozart, Beethoven, and many more come alive through their correspondence. Poignant, funny, revealing, informative and so often direct and honest, these letters offer a fascinating insight into the personalities that created our Western musical tradition.

Wagner’s Ring cycle is the most ambitious work in the history of music: four operas that combine to tell a single epic story. Based in legend, it has become a legend in its own right: a supreme challenge for conductors, singers, opera producers, and indeed for audiences. But for all its grandeur and complexity, The Ring is far more accessible than many music lovers think.