Resultados Editorial "Audible Studios" en Arte y entretenimiento

The King and I tells the story of Harry Mount's fixation with Elvis over 35 years; how it changed from mild interest as a child, via self-mocking adolescent fandom to full-blown obsession at university, before settling into relatively sane reverence today. What happens to our teenage obsessions when we grow up? How do they help - or harm - us? In this moving, funny memoir, Harry Mount reveals how Elvis released him from the bookish shyness of his sheltered childhood, and provided a magical escape route from his conventional, cloistered public school background.

The Divergent series is delighting the world with its epic of Tris and Four struggling through revolutions to create a better world. But there are deeper meanings and symbols beneath the surface. Why is it fitting that teens numbered three and four should remake the world? How many Biblical references appear? Why are ravens and crows such popular symbols? And what themes and images does this series share with The Hunger Games and all the other dystopias, past and present?

Edmund White is one of our most celebrated novelists. He is also a brilliant journalist and cultural commentator on the arts, contributing to publications as varied The New Yorker, Vanity Fair, The New York Times, The Washington Post, House and Garden, and The New York Review of Books. In Sacred Monsters, White collects more than 20 of his most recent writings on artists and authors, including John Cheever, Patti Smith, Henry James, Mary Cassatt, and many others.

When John Huston died at 81 on August 28, 1987, America lost a towering figure in movie history. The director of such classic films as The Treasure of the Sierra Madre, The African Queen, The Maltese Falcon, Prizzi's Honor, and The Dead, John Huston evoked passionate responses from everyone he encountered. He was at the center of a dynasty, with three generations of Oscar winners (Walter, John and Anjelica).

In ten sharply drawn tales, Madison Smartt Bell expands his masterly, inventive, and deftly textured fictional landscape to portray a collection of America's dispossessed characters.

It is late March 1868. In Munich, composer Richard Wagner is completing his new opera Die Meistersinger von Nuremberg. It has been a difficult few years for him, and much depends upon the success of this new work. Following the tense auditions, an anonymous note warns Wagner that the premiere will be the date of his ruination.

Back in January 1995 in Los Angeles, California, a Singaporean pornstar named Annabel Chong took cultural rebellion to an extreme, on terms that had never been negotiated before. She was filmed having sex with a long receiving line of men, servicing them 251 times over a ten-hour period to set a new world record: The World’s Biggest Gangbang.

A quarter of a century after his death, Jimi Hendrix's popularity is undiminished, his place as the preeminent electric guitarist of the age unrivaled. Back in print, with a new introduction, a new epilogue, and an updated discography, The Jimi Hendrix Experience gives the whole story of his legendary life and career, the virtuosity and madness, the genius and the rush to self-destruction, as well as the fierce ongoing battle for control over his estate that has been waged since Hendrix's death.

Veteran director John Badham explains the elements of action and suspense and dissects the essentials of any good scene from any genre. Continuing the work begun in his best-selling book I'll Be in My Trailer, Badham shares more insights into working with difficult actors, rehearsal techniques, and getting the best performance from your cast.

Before the heyday of the Food Network, there was Chef Tell - TV persona of Friedemann Paul Erhardt, America's first TV showman chef. Big on personality and flavor, Chef Tell was once called by Philadelphia magazine the "affably roguish Bad Boy of the Philadelphia restaurant world." Chef Tell explores how a young German American chef became America's biggest TV celebrity chef of his time. Most of Chef Tell's forty million baby boomer viewers - a number comparable to Julia Child's - never knew his fascinating, hardscrabble life story. Until now.

This is the incredible story of the Longwood Symphony Orchestra and the remarkable interplay between music and medicine. You may have read about the Longwood Symphony Orchestra (LSO) in the paper or heard them on your favorite radio station. But the LSO is not just any orchestra. It began in 1982 with a group of talented Boston-area physicians, medical students, and health-care professionals and has since flourished under the leadership of violinist Dr. Lisa Wong.

Take one of the crowning musical geniuses of mid-nineteenth century Europe; surround him with enemies, some of whom are fiercely jealous of his talent, others in love with his beautiful wife (a musical genius in her own right); add several scoundrels including a seller of stolen jewels and a kleptomaniac music critic who ends up murdered under highly mysterious circumstances and there you have the world of Robert and Clara Schumann in the Germany of the 1850s, as told by the narrator, Dsseldorfs top detective, Inspector Hermann Preiss.

In this step-by-step guide, an actor and improvisational teacher brings his tested methods to the page to show how actors can take risks and gain spontaneity in all genres of scripted theater. Through 28 lessons - each of which includes warm-ups, points of concentration, and improvisation exercises - Improv for Actors provides insights into thinking and reacting with fluidity, exploring a character’s social status, using the voice and body as effective tools of storytelling, and more.

ECW was one extreme contradiction piled on top of another. It was an incredibly influential company in the world of professional wrestling during the 1990s, yet it was never profitable. It portrayed itself as the ultimate in anti-authority rebellion, but its leadership was, at various points, working covertly with the two wrestling giants, the World Wrestling Federation and World Championship Wrestling. Most of all, it blurred the line between real life and the fantasy world of professional wrestling like no other company before it.

Whether a novice curious about the cartoon production process, a visual arts student who has not yet experienced that big break, or a seasoned professional looking for valuable insight, Animation Development is the go-to guide for creating the perfect pitch.

The Stephen Leacock Memorial Medal for Humour is Canada's top award for humour - and nobody has won it more times than Arthur Black, who carried off his third medal in June 2006. Now, in case there is anyone left standing who still disputes Black's claim to the title of Canada's funniest man, Harbour presents the laughing proof: a retrospective of Black's best hits, high-graded from eleven previous collections stretching back over the past 20 years.

From age 11, in 1974, until she left the show, in 1981, Melissa Anderson literally grew up before the viewers of Little House on the Prairie. Melissa, as Mary, is remembered by many as the blind sister - and she was the only actor in the series to be nominated for an Emmy. In The Way I See It, she takes listeners onto the set and inside the world of the iconic series created by Michael Landon, who, Melissa discovered, was not perfect, as much as he tried to be. In this memoir she also shares her memories of working with guest stars like Todd Bridges, Mariette Hartley, Sean Penn, Patricia Neal, and Johnny Cash.

A once-aspiring actress who never quite got over her dreams of Broadway stardom, Shukert lovingly sunk her teeth into analyzing (and often, inventing) every detail of NBC's embattled little-musical-that-couldn't, and before long, found herself at the center of the backstage drama behind the backstage drama that captivated America (or at least, the part of it that spends a lot of time handing out their head shots in Times Square).

In this definitive guide to resources, aspiring artists and serious amateurs devoted to their art will find scores of time-tested strategies to help them set up and work safely from a home studio; learn where and how to acquire appropriate art materials; develop their abilities with others as well as create art alone; explore opportunities for education in a wide variety of forms; and much more.

Since it began several years ago Hugo Rifkind's dazzling My Week column has been satirising the high profile and the famous, and basically anyone foolish or unfortunate enough to find themselves at the top of the news agenda that week. The column itself is a fictional diary parodying their movements over seven days in a rarely flattering but always hilarious manner. Rifkind's victims are as diverse and as headline-grabbing as David Cameron, Beyoncé, Oprah Winfrey, Edwina Currie, Barack Obama and Pippa Middleton.