Resultados para "The Street" en Literatura de género

Darley, la hija mayor de los Stockton, acomodada, bien relacionada y criada entre algodones, ha cambiado su trabajo y su herencia por la maternidad. Sasha, una chica normal de clase media, entra en el clan como una forastera al casarse con Cord. Y Georgiana, la más joven, se ha enamorado de alguien con quien no puede estar en un arrebato irresponsable.

Living in a peaceful, prosperous African-American neighborhood in Los Angeles, Mack Street is a mystery child who has somehow found a home. Discovered abandoned in an overgrown park, raised by a blunt-speaking single woman, Mack comes and goes from family to family, a boy who is surrounded by boisterous characters and yet deeply alone.

Temilola is a kind-hearted boy from the upper echelons of Nigerian society who wakes up alone in the middle of Lagos and discovers that he has lost his memory. He soon finds that this is the least of his problems, as he must now attempt to survive the dangerous streets of Lagos. 

Immobiliaristi da generazioni, gli Stockton sono l'emblema dell'alta società newyorchese. La loro vita è cadenzata da happening al circolo del golf, accordi prematrimoniali e cene a tema, organizzate dalla matriarca Tilda nella grande villa sul lungofiume di Brooklyn Heights. Ma dietro lo stile old money e l'educazione da Ivy League, l'unico linguaggio che sembrano conoscere e che ne regola i rapporti è quello della competizione e del conformismo.

Kitty and Tom Conlon arrive in Liverpool in July 1916 to claim the house Tom’s great-uncle has bequeathed him in his will. The move to England couldn’t have come at a better time. Dublin is in turmoil following the Easter Uprising and Kitty’s brother is now in prison. The house in Weaver Street is all they hoped for, and after a shaky start with her new neighbours, Kitty believes the world is her oyster. Until that is, Tom is conscripted into the navy. With Tom away, it’s up to Kitty and the women of Weaver Street to get each other through the war.

Red York has seen it all: the Maple Leafs’ 45 consecutive Stanley Cups, Toronto’s designation as a United Nations World Heritage Site, the emergence of the Toronto Telegram as the nation’s greatest newspaper. Now, in response to at least two readers’ requests, and with the aid of a ghostwriter whose name he can’t ever remember, the award-winning columnist has penned a definitive history of the city of Toronto in the back half of the 20th century.

A former inmate, who is now an assistant stock broker and a part-time gang counselor, details his life on the inner city streets of Atlanta as a notorious drug dealer, vividly recreating the his struggle to break the cycle and walk the straight and narrow.

Daruis, aka Rio, the only child of a singer turned alcoholic, feels he has nothing to hold on to except the idea of escaping the ghetto. Years ago he took a gun charge for a friend and did some prison time. Unable to find a job when he gets out, Rio turns to hustling and finds escape in the arms of his soul mate, Trinity. When Trinity's mother dies, her abusive father looks to her to play the role of housewife and bedmate.

Life is tough for Ella Bancroft. After her father, Thomas, is wheelchair-bound by an accident at the tube works, the responsibility for keeping a roof over their head falls to Ella. Ella’s mother died when she was 10, and her sister, Sally, lives with her no-good, work-shy husband Eddy, so is no help at all. If she and her father are to keep the bailiffs from the door, then Ella must earn a living. But Ella is resourceful as well as creative and soon discovers she has a gift for millinery.

San Francisco homicide detective Frost Easton hadn’t seen his estranged friend Denny in years. Not until he dies in Frost’s arms uttering a final inexplicable word: Lombard. Denny appears to be the latest victim in a string of murders linked by a distinctive clue: the painting of a spiraled snake near the crime scenes. Is it the work of a serial killer? Or is Denny’s death more twisted and personal? To find the answer, Frost reaches into a nest of vipers - San Francisco’s shady elite - where the whispered name of Lombard is just one secret.

"A stranger could drive through Miguel Street and just say 'Slum!' because he could see no more." But to its residents, this derelict corner of Trinidad's capital is a complete world, where everybody is quite different from everybody else. In this tender, funny early novel, V. S. Naipaul renders their lives (and the legends their neighbors construct around them) with Dickensian verve and Chekhovian compassion. 

Penelope Grand has scrapped her failed career as an artist in Pittsburgh and moved back to Brooklyn to keep an eye on her ailing father. She's accepted that her future won't be what she'd dreamed, but now, as gentrification has completely reshaped her old neighborhood, even her past is unrecognizable. Old haunts have been razed, and wealthy white strangers have replaced every familiar face in Bed-Stuy. Even her mother, Mirella, has abandoned the family to reclaim her roots in the Dominican Republic. That took courage. It's also unforgivable.

Based on true events, Elizabeth Street is a multigenerational saga that opens in an Italian village in the 1900s, and crosses the ocean to New York's Lower East Side. At the heart of the novel is Giovanna, whose family is targeted by the notorious Black Hand - the precursor to the Mafia. Elizabeth Street brings to light a period in history when Italian immigrant neighborhoods lived in fear of Black Hand extortion and violence - a reality that defies the romanticized depiction of the Mafia.

Best-selling author Jonathan Safran Foer reads from his new novel Extremely Loud and Incredibly Close. He is introduced by novelist Michael Cunningham, perhaps best known for The Hours, winner of The Pulitzer Prize for fiction in 1998.

Philadelphia's South Street is a world of contradiction. The hardscrabble neighborhood is filled with prostitutes and gangsters; Working stiffs mingle with winos at Lightnin' Ed's bar. But the streetwalkers are nearing retirement, the gangsters are unemployed, and a community is thriving in and around a place written off by officials and politicians as blighted. Black poet Adlai Stevenson Brown makes his way to South Street in search of authenticity in the form of a neighborhood to save.

En este gran clásico de la literatura norteamericana del siglo xx, James Baldwin da voz a Tish, una chica de diecinueve años embarazada de un joven escultor llamado Fonny. Novios desde el instituto, decidieroncasarse y formar una familia, pero sus planes se truncan cuando él es injustamente acusado de violación y encarcelado.

Remy Morgan, a young girl born and raised in the heart of the ghetto, gets caught up in the life when she meets a drug lord who offers her the world. Young and naive, she is trapped in a game of lies, deception, and greed and learns the hard way that everything that glitters ain't gold. After her love is slain, Remy is forced back into the life that she desperately tried to forget. Remy has kept a diary of her life for the past two years. What she writes inside is a tale of love, passion, money, and secrecy - and ultimately a witness to her tragic end.

Pastry chef Brad Marks is the new hot thing at the Whitman Street Cat Café: he makes tasty desserts for both the human and feline guests at the café. All the patrons love him, and freelance writer Lindsay Somers understands why: five years ago, she was smitten by his charms too—until Brad broke her heart. Lindsay is happy with her new gig at a trendy weekly magazine, so when her boss assigns her to do a story on the cat café, she grudgingly agrees.

The late Pulitzer Prize-winning columnist Art Buchwald wrote over 30 books, including his two-part memoir, the best-selling Leaving Home, and I'll Always Have Paris. In 1986, he was elected to the American Academy of Arts and Letters.

The House on Haight Street is a novella featuring Miranda Sullivan and Joe Calleja, culled from material originally included in the body of Warsaw Concerto (Book 13 of the Timeline 10/27/62 series). It did not make the "final cut" for two reasons: Firstly, I thought it was one sub-strand too many and therefore interrupted the flow of the rest of the narrative; and secondly, the book was getting very long even by my standards!