Resultados para "The Magic" en Literatura y ficción

All Dag Gates wants is a place to call home. (And to practice magic freely.) All Stefan Bjorne wants is peace in his adoptive country. (And less paperwork.) All Mikkel Vinters wants is both of them. (No, really, he could do wedding bells.) So why, pray tell, is half the magical community set on denying them all their wishes?

There's a disturbance in the Prime Kingdoms. The system that everyone depends on is generating errors. The gods are in danger. Magic itself is fluctuating and becoming less reliable. Meanwhile, four adventurers seem to be the only ones to realize the night sky shouldn't be empty. Outcasts all, this foursome has become a family. Together, they are on a diplomatic mission for their guild, traveling to the kingdom of Elyra to provide emergency relief as magic continues to malfunction and crops fail to grow.

The streets have been my home for as long as I can remember. To get by, I use my magic tricks, bringing smiles to the faces of adults and children alike. As a warlock, my powers are limited. Nothing like a witch's magical skills. Basically, I'm a glorified magician as well as a second-class citizen. Fine. It doesn't get me down. I have my cat Fizz and Kylie Minogue's music to keep me going as I dream big. I know there's a better life out there for me.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

One morning, Hazel Brown awakes in a badly decorated hotel room to find that she’s written the complete works of Charles Baudelaire. In her bemusement the hotel becomes every cheap room she ever stayed in during her youthful perambulations in 1980s Paris. This is the legend of a she-dandy’s life. Part magical realism, part feminist ars poetica, part history of tailoring, part bibliophilic anthem, part love affair with nineteenth-century painting, The Baudelaire Fractal is poet and art writer Lisa Robertson’s first novel.

Fallen prophet, master of the elements, and daughter of the supreme Protector, Sanao Mokoya has abandoned the life that once bound her. Once her visions shaped the lives of citizens across the land, but no matter what tragedy Mokoya foresaw, she could never reshape the future. Broken by the loss of her young daughter, she now hunts deadly, sky-obscuring naga in the harsh outer reaches of the kingdom with packs of dinosaurs at her side, far from everything she used to love.

Mokoya and Akeha, the twin children of the Protector, were sold to the Grand Monastery as infants. While Mokoya developed her strange prophetic gift, Akeha was always the one who could see the strings that moved adults to action. While Mokoya received visions of what would be, Akeha realized what could be. What's more, they saw the sickness at the heart of their mother's Protectorate.