Resultados para "New York" en Clásica

Recueil de nouvelles souvent drôles, mais aussi émouvantes, dressant de beaux portraits d'hommes et de femmes, qui vivent à New York au début du XXe siècle.

Spanning four decades in the mid-19th century, the interconnected novellas of Old New York lay out in vivid detail the complex and inscrutable codes, customs, and taboos of New York society in classic Wharton style.

Della Ralston is hosting her cousin Charlotte when she finds out a surprising fact - Charlotte is the mother of Tina, a young girl living at a nearby orphanage. Charlotte has kept the child a secret for many years and is set to be married to Joe Ralston, a man who does not know about this secret daughter. Della is quickly pulled into a plot to ensure that Charlotte is not separated from her daughter. When a series of circumstances ends with Charlotte and Tina moving into Della’s home, Della and Charlotte work to ensure that Tina has a chance at a good future.

Un avvocato, il suo studio, i suoi due impiegati, un giovanissimo fattorino, e infine l'arrivo di un terzo impiegato, pallido, scialbo in modo singolare: Bartleby. Bartleby si presenta come un impiegato modello, il primo ad arrivare e l'ultimo ad andare via (apparentemente), ligio al dovere, praticamente alieno ad ogni sorta di distrazione; copia gli atti legali. Sembra non fare altro. Sembra non volere fare altro. Sembra non amare fare altro. Forse non sa fare altro? Bartleby è "un'eterna sentinella nel suo angolo".

Berry Hamilton was living a pretty good life - up until he was accused of stealing money from his employer. Despite having worked for the family for 20 years, Berry is found guilty of a crime he did not commit and sentenced to prison. As his wife and children turn to the community, they find themselves shunned. Left with no other choice, Fannie Hamilton and her two children, Joe and Kitty, pick everything up and move to Harlem.

Largely autobiographical, Christ in Concrete opens with the dramatic Good Friday collapse of a building under construction, crucifying in concrete an Italian construction worker, whose death leaves his pregnant wife and eight children impoverished. His oldest son, Paul, at just 12 years old, must take over his father’s role—and his job.

Pretty, impecunious Sally Nicholas never dreamed a fortune could prove a disadvantage, until she became an heiress and watched in bewilderment as her orderly existence went haywire. Coping first with her brother's wild theatrical ambitions, then with the defection of her fiancé and his immediate replacement by a much more appropriate but strangely unattractive suitor, Sally finds that life in New York is becoming altogether too complicated, and a trip to England only makes the whole situation worse.

Uscito nel 1920, "L'età dell'innocenza" vale alla sua autrice, Edith Wharton, il premio Pulitzer: sarà la prima donna a vederselo assegnare. Il libro è una critica spietata alla convenzionalità dell'alta società newyorchese: una vera aristocrazia immobiliare in cui le famiglie sono le stesse da generazioni, le donne un ornamento e gli uomini non fanno nulla neppure quando fingono di andare in ufficio. I ricchi personaggi dell'"Età dell'innocenza" vivono tutti nello stesso quadrilatero di strade, e d'estate si spostano tutti quanti a Newport.

Midnight Cowboy is considered by many to be one of the best American novels published since World War II. The main story centers around Joe Buck, a naive but eager and ambitious young Texan, who decides to leave his dead-end job in search of a grand and glamorous life he believes he will find in New York City. But the city turns out to be a much more difficult place to negotiate than Joe could ever have imagined. He soon finds himself and his dreams compromised. Buck's fall from innocence and his relationship with the crippled street hustler Ratso Rizzo form the novel's emotional nucleus.

Questo romanzo, con cui l'autrice vinse il premio Pulitzer nel 1921 (ed era la prima volta che una donna vinceva quel premio), parla della New York del 1870, della famosa Gilded Age. Ma dietro l'oro apparente, si nasconde la rete di convinzioni, tradizioni e ipocrisia che imprigiona il protagonista così inevitabilmente da renderlo egli stesso, col tempo, acquiescente alla propria prigionia.