Resultados para "Memoria" en Literatura y ficción

El esperado nuevo libro del autor de eighteen. ¿Qué inspiró eighteen, el poemario revelación de Alberto Ramos? Este audiolibro narra sin cortapisas qué pasó en la vida de este joven estudiante para huir de su casa en Málaga rumbo a Suecia, esperando una vida mejor y encontrándose allí con otro tipo de crueldad, la marginación social, el abuso.

Nos encontramos, en el umbral de queen, con varias cartas íntimas en las que el protagonista, Alberto, se desahoga y decide romper con todo lo que conoce hasta ese momento.

Questa è l'ultima opera in prosa di Wilde, scritta quando l'autore era in carcere per omosessualità. Entrato nel carcere nel 1895, l'uomo di genio divenne agli occhi di tutti un obbrobrio. La sua ricchissima raccolta di mobili e oggetti preziosi vennero venduti all'asta. Molti suoi libri furono bruciati e le rappresentazioni dei suoi drammi proibite.

This riveting Pulitzer Prize and Tony Award-winning drama tells the fascinating, real-life story of Charlotte von Mahlsdorf, a transgender woman who managed to defy insurmountable odds. Based on interviews conducted by the playwright, I Am My Own Wife takes us on a theatrical journey that vividly chronicles the bravery, cunning, and strength that Von Mahlsdorf used to survive both the Nazi and Communist regimes of East Germany.

Oscar Wilde já era reconhecido como um dos melhores autores de seu tempo quando foi condenado à prisão, em 1895. A acusação de “indecência grave” remetia à muito discutida homossexualidade de Wilde, considerada crime na época. Enquanto estava encarcerado, o autor escreveu uma carta a Lord Alfred Douglas, com quem mantinha uma relação que foi o estopim para sua prisão.

Following in the footsteps of such category killers as Milk and Honey and Whiskey Words & a Shovel I, Fariha Róisín's poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

During her sophomore year at Middlebury College, Emily meets Max—“you” as she intimately refers to him in the book. Not exactly a tomboy, but not quite a girly girl either, Emily is intent on finding a masculine boyfriend to assuage a deeply rooted fear that she may not be quite feminine enough. Max—a boisterous class clown beloved by his many straight guy friends—has recently come out as gay and is embracing his newly claimed identity. Initially, Max and Emily dislike each other, but end up growing close after a make-out dare on Halloween.

Why I Was Late fuses text with performance, bringing a transmasculine wisdom, humor, and experience to bear upon tailgates, spaceships, and wrestling rings. Fierce, tender, convention re-inventing—Petch works hard. And whether it’s as a film union lighting technician, a hospital bed allocator, a Toronto hot dog vendor, or a performer/player of the musical saw, the work is survival. Heroes are found in unexpected places, elevated by both large and small gestures of kindness, accountability and acceptance.

When Trisha Low moves West, her journey is motivated by the need to arrive “somewhere better” - someplace utopian, like revolution; or safe, like home; or even clarifying, like identity. Instead, she faces the end of her relationships, a family whose values she has difficulty sharing, and America’s casual racism, sexism, and homophobia. In this book-length essay, the problem of how to account for one’s life comes to the fore - sliding unpredictably between memory, speculation, self-criticism, and art criticism, Low seeks answers that she knows she won’t find.

Described as "the first blogger", Mary MacLane lived a tortured life, ahead of her time. Her beloved father died when she was a young child, and at the age of eight, her stepfather moved the family from its home in Winnipeg, Canada, to Montana in the United States, where young Mary had a hard time making friends. Her sensational autobiographical style of writing was considered scandalous, as she told of her bohemian lifestyle, feminist politics, and open bisexuality. 

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.

"Nexus" è il terzo volume del ciclo "La crocifissione rosea", scritto tra il 1949 e il 1960, una trilogia cruciale per l'autore del "Tropico del cancro". I tre libri, inizialmente banditi dalle autorità americane, rappresentano il percorso della cosiddetta "illuminazione spirituale" di Miller attraverso l'arte e il sesso, fino alla sua piena consapevolezza di scrittore.