Resultados para "James" en Música

In Pop Masculinities, author Kai Arne Hansen investigates the performance and policing of masculinity in pop music as a starting point for grasping the broad complexity of gender and its politics in the early 21st century. Drawing together perspectives from critical musicology, gender studies, and adjacent scholarly fields, the book presents extended case studies of five well-known artists: Zayn, Lil Nas X, Justin Bieber, The Weeknd, and Take That.

A world-renowned composer of symphonies, operas, and film scores, Philip Glass has, almost single-handedly, crafted the dominant sound of late twentieth-century classical music. Rapturous in its ability to depict the creative process, Words without Music allows listeners to experience that sublime moment of creative fusion when life merges with art. Biography lovers will be inspired by the story of a precocious Baltimore boy who entered college at age fifteen before traveling to Paris to study under the legendary Nadia Boulanger; Glass devotees will be fascinated by the stories behind Einstein on the Beach and Satyagraha, among so many other works.

Domesticated is a collection of James Domestics street-poetry and punk-prose. Punk, politics, habit, the nature of work, the environment, nostalgia, aging, and some quintessentially British whimsy, all crammed in together like a last minute bag hurriedly packed for tour.

Sung in moments of personal isolation or on state occasions watched by millions, “Amazing Grace” has become an unparalleled anthem for humankind. How did a simple Christian hymn, written in a remote English vicarage in 1772, come to hold such sway in all corners of the modern world? With this short, engaging cultural history, James Walvin offers an explanation.

George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image—that of a hypermacho sex god—loomed large in the pop culture of his day. It also hid—for a time—the secret he fought against revealing: Michael was gay. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world.

1959 saw Miles Davis, John Coltrane, Bill Evans, and the other members of Miles's sextet come together to record the seminal jazz album of all time Kind of Blue. 3 Shades of Blue is a magnificent blended biography on the meandering paths which led Miles, Coltrane and Evans to the mountaintop of 1959 and the aftermath. It's a book about music, business, race, addiction and the cities that gave jazz its home; from New York and LA to Philadelphia, Chicago and Kansas City. Kaplan meditates on creativity and the great forebears of this golden age who would take the music down strange new paths.

Rockin' in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s.

Beloved contemporary Christian musician Rich Mullins lived his life with abandon for God, leaving the spotlight to teach music among a Navajo community. An accident cut his life short in 1997, but his songs and ragamuffin spirit continue to teach many. In honor of the twenty-fifth anniversary of Rich's homegoing, this edition of Rich Mullins: An Arrow Pointing to Heaven delivers an intimate look at the experiences that sparked praise hits and the values behind his Christ-like candor.

In One Last Song, Ayers invites thirty musicians to consider what song they would each want to accompany them to those pearly white gates. Weaving together their explanations with evocative illustrations and poignant interludes-what your song to die to says about you, what songs famous people have died to, and more. The book offers insight into the minds of famous artists and provides an entry point for considering how integral music is to our own personal narratives.

In the 1930s, composers and musicians began to flee Hitler's Germany to make new lives across the globe. The process of exile was complex: although some of their works were celebrated, these composers had lost their familiar cultures and were forced to navigate xenophobia as well as entirely different creative terrain. Others, far less fortunate, were in a kind of internal exile-composing under a ruthless dictatorship or in concentration camps and ghettos.

William Henry "Chick" Webb (1905-39) was one of the first virtuoso drummers in jazz and an innovative bandleader dubbed the "Savoy King," who reigned at Harlem's world-famous Savoy Ballroom. Along with the likes of Duke Ellington, Fletcher Henderson, and Cab Calloway, Webb helped create the popular dance and music culture, known as Swing, that swept the United States during and after the Great Depression and left an indelible impact on American culture.

The Beatles' third tour of North America was nearly a year in the planning. By late 1964, manager Brian Epstein knew that they were not only the biggest act in his stable: they had become the biggest act on earth. America worshipped them. Somewhere different for the start of this tour, in New York - somewhere appropriately massive - had to be found. It was: a baseball stadium in Flushing, Queens. On August 15, 1965, The Beatles played the concert of their lives there.

Despite her phenomenal success as a singer, Joni James initially had dreams of dancing. While she continued to receive scholarships and praise for her vocal performances, dancing was what she wanted to pursue and she continued to pay for lessons. When faced with the decision of going to school or pursuing her career, on the advice of a producer that "youth was the most urgent thing in show business", she dove headfirst into singing.

In this lesson the student will learn an intermediate level solo of “You’ve Got a Friend,” by James Taylor, without using any music or print. This arrangement is fully demonstrated with backing tracks and then taught in two- to four-measure sections completely “by ear.” At the end of the lesson the backing tracks are provided again without the piano on them for the student to use for their own live performance.

In this “by ear” lesson, you will learn both the rhythm and lead guitar parts to this blues hit by Fred James. The lesson begins with a full demonstration of the guitar parts with drums and bass followed by a detailed “all-audio” lesson teaching every lick to every guitar. At the end of the lesson, you are given the backing tracks in three different configurations for you to use in your own live performance of the song.

In this great guitar by ear lesson, you will learn the acoustic finger-picking part to “Just Breathe”. The lesson starts with a full demonstration of the part followed by a detailed “by ear” lesson teaching every section of the song. Learning by ear means that you memorize as you go so you can knock this epic love song out in a couple of hours or less.

The twin acts of singing and fighting for freedom have been inseparable in African American history. May We Forever Stand tells an essential part of that story. With lyrics penned by James Weldon Johnson and music composed by his brother Rosamond, "Lift Every Voice and Sing" was embraced almost immediately as an anthem that captured the story and the aspirations of black Americans. Since the song's creation, it has been adopted by the NAACP and performed by countless artists in times of both crisis and celebration, cementing its place in African American life.

Trecento tacchini d'allevamento duettano con un cantante e finiscono in un disco. Un branco di lupi "ricama" sul riff di una chitarra e finisce in un altro disco. E il delicato coro delle feroci orche marine in altro ancora. Assurdo? No, perché le vie della musica, popolare o colta che sia, complessa o semplicissima, che provenga da strumenti musicali o dalla voce, anche da quella animale, sono davvero infinite, spesso sorprendenti.

Learn about the dance style of Krumping with iMinds insightful audio knowledge series. Imagine teams of super athletic dancers, engaging in spectacular and aggressive dance battles, their styles reminiscent of African dance to Hip Hop break beats, the scene looking more like a fight than a dance. The teams of dancers, made up of men, women and children, have their faces painted in elaborate styles from the childlike to the grotesque.

Handel’s oratorio Messiah is a phenomenon with no parallel in music history. No other work of music has been so popular for so long. Yet familiarity can sometimes breed contempt — and also misunderstanding.