Resultados para "Hard Times" en Literatura de género

'Teach these boys and girls nothing but Facts. Facts alone are wanted in life.' So says Thomas Gradgrind, a wealthy, utilitarian school board superintendent. Father to Tom and Louisa, he shapes the minds of all the young children, including his own, with the exception of only one: the circus-born Sissy Jupe.

Despite the title, Dickens's portrayal of early industrial society is less relentlessly grim than that in novels by contemporaries such as Elizabeth Gaskell or Charles Kingsley. Hard Times weaves the tale of Thomas Gradgrind, a hard-headed politician who raises his children Louisa and Tom without love and to have no empathy, their lives completely devoid of beauty, culture, or imagination. Only after a series of crises does their father realise that the manner in which he raised his children has ruined their lives.

Hard Times is the tenth novel by Charles Dickens, first published in 1854. The book surveys English society and satirizes the social and economic conditions of the era. Hard Times is unusual in several ways. It is by far the shortest of Dickens's novels, barely a quarter of the length of those written immediately before and after it. Moreover, it is his only novel not to have scenes set in London. Instead, the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town.

In this, Dickens' most openly political novel, we discover the terrible human consequences of a ruthlessly materialistic philosophy in the lives of Thomas Gradgrind's family, brought up to believe that only "Facts! Facts! Facts!" have any meaning. Set in Coketown, a typical Lancashire milltown, the novel graphically exposes the truth about Victorian "progress".

This short novel follows the fate of Sissy Jupe, a warm-hearted circus child, and the family that adopts her. Deserted by her ailing father, Sissy is taken into the cold household of the Gradgrind family, which operates a school. The "eminently practical" Thomas Gradgrind believes only in facts and figures and has raised his children accordingly, thoroughly suppressing the imaginative side of their nature, and the consequences are devastating.

Hard Times is set in and around Coketown, a fictitious, Victorian mill town in the North of England. A town of red brick, machinery, and tall chimneys. A town blackened by soot, shrouded in mist, and choked by smoke. The working men and women of Coketown, referred to generally as "Hands" as if they were merely extensions of the machinery they operate, and not individuals with loves and likes, memories and inclinations, souls to weary and souls to hope.

As Liverpool and its residents begin to heal from the wounds and memories of World War I, life on Weaver Street in 1924 is blessedly peaceful. But as the Depression begins to bite, and the arrival of the Muller family on Weaver Street signals the worrying drumbeats of conflict coming from Germany, the fragile happiness and peace Liverpool has been enjoying looks destined to end. And as the neighbours pull together in the toughest of times, the women on Weaver Street face the prospect of waving their menfolk off to war.

In Coketown, England, wealthy retiree Thomas Gradgrind has founded a school based on his belief that life should be factual - not fanciful. Among his pupils are his children, Thomas and Louisa, who are raised on his teachings of rational self-interest and grow into loveless, despairing adults. As he bears witness to his children’s suffering, Gradgrind is forced to confront the dangers of his dispassionate, utilitarian philosophy.

War strikes close to home for chief librarian Cordelia when her flat is bombed, and her beloved Robert is called up and sent abroad. Fortunately, her colleagues Mavis and Jane can help see her through hard times. The three friends find purpose in making the Silvertown library a friendly sanctuary for their deprived and devastated community. But sinister forces, from callous bureaucrats to crafty criminals, still lurk among the stacks.

Hard Times fu pubblicato nel 1854, e tratta della società inglese e della rivoluzione industriale. La città di Coketown, in cui è ambientato il romanzo, è il simbolo della disumanizzazione da parte della società industriale che riduce i lavoratori da esseri a forza lavoro (il testo inglese definisce gli operai Hands, che è stato tradotto letteralmente come Mani, per rispettare la scelta stilistica). Nella famiglia protagonista della storia viene impartita una educazione in cui la fantasia viene messa al bando e colpevolizzata.

Julia Gooden remembers nothing about the worst night of her life. Thirty years ago, her nine-year-old brother, Ben, was abducted from the room they shared. Now a crime reporter at a Detroit newspaper, Julia tries to give others the closure she's never found. But guilt and grief over Ben's disappearance have left her fearful that whoever took her brother is going to come back. And then, on the anniversary of Ben's disappearance, Julia's worst fears are realized when her two-year-old son, Will, is snatched from his bed.

Hollywood, the late 1930s. Raymond Chandler writes detective stories for pulp magazines and drinks more than he should. Boris Karloff plays monsters in the movies. Together, they investigate mysterious matters in a town run by human and inhuman monsters. Joh Devlin, an investigator for the DA’s office who scores high on insubordination, enlists the pair to work a case that threatens to expose Hollywood’s most horrific secrets. Together, Chandler and Karloff will find out more than they should about the way this town works.