Resultados para "Edgar Allan Poe" en Negra y suspense

The poem by Edgar Allan Poe, first published on January 29, 1845, in the New York Evening Mirror. The poet read it publicly for the first time in a literary salon hosted by his friend Anne Lynch Botta .The work is noteworthy for its distinct, rhythmic, melodic sound, linguistic stylization, and a sense of horror. It tells of a mysterious visit that a speaking raven makes to a man in despair after the loss of his beloved, portraying the slow process of the unfortunate man descending into madness.

Una selección de los famosos relatos de misterio y de terror del gran maestro del género. Edgar Allan Poe (Boston, 1809 - Baltimore, 1849), reconocido como el maestro del relato corto, dejó un legado literario que se ha convertido en un punto de referencia constante para todas las artes. Su huella en la literatura fantástica y de terror, así como la literatura detectivesca es incuestionable e inspiró de manera decisiva a escritores de la talla de Melville, Baudelaire, Maupassant, Cortázar o Nabokov.

Sumérgete en el oscuro y fascinante mundo de "Cuentos Clásicos del Norte, Primera Serie" de Edgar Allan Poe. Estos relatos te transportarán a un universo lleno de misterio, terror y suspense. Con su prosa magistral, Poe te sumergirá en historias inquietantes y perturbadoras que exploran las profundidades de la mente humana. Cada cuento está cuidadosamente tejido, envolviéndote en atmósferas inquietantes y revelando giros inesperados.

Chevalier Auguste Dupin, normalmente conocido como C. Auguste Dupin, es un detective de ficción creado por Edgar Allan Poe. Dupin hizo su primera aparición en ”Los crímenes de la calle Morgue” (1841) de Poe, considerado el primer relato policial. Vuelve a aparecer en “El misterio de Marie Rogêt” (1842) y en “La carta robada” (1844).

The St. Charles Players present multi-cast dramatizations of some of Edgar Allan Poe's greatest works, including The Black Cat, The System of Dr. Tarr and Prof. Fether, The Purloined Letter, and The Murders in the Rue Morgue.

Después de sorprendernos con los cuatro títulos de la Saga Casasola y con los cuentos que conforman la Trilogía del Terror, Bernardo Esquinca nos entrega una novela que expande los límites y paisajes de su escritura. En un ejercicio audaz que es a la vez homenaje y acercamiento, Edgar Allan Poe, el padre del relato policiaco y del cuento de terror norteamericanos, se muestra en estas páginas como un ser humano, todavía lejos de la grandeza que lo consagraría y del abismo que lo consumiría.

Inventore del racconto poliziesco e del thriller psicologico, nella sua sterminata produzione Edgar Allan Poe ha affrontato atmosfere torbide e terrificanti, trame allucinanti e bizzarre, intrecci misteriosi decifrabili solo con l’utilizzo di una lucida logica, mondi inquietanti e anche grotteschi, riuscendo sempre a penetrare a fondo nell’anima delle situazioni fino alle più estreme conseguenze.

María Paz is a young Latin American woman who, like many others, has come to America chasing a dream. When she is accused of murdering her husband and sentenced to life behind bars, she must struggle to keep hope alive as she works to prove her innocence. But the dangers of prison are not her only obstacles: gaining freedom would mean facing an even greater horror lying in wait outside the prison gates, one that will stop at nothing to get her back.

Immerse yourself. Savor the best storytelling from the greatest authors of the supernatural. The haunting language and brilliant rendition create an extraordinary atmosphere.

Los crímenes de la calle Morgue, también conocido como Los asesinatos de la calle Morgue o Los asesinatos de la rue Morgue, es un cuento del género policiaco y de terror del escritor estadounidense Edgar Allan Poe, publicado por primera vez en en la revista Graham's Magazine, de Filadelfia, en el mes de abril de 1841.

El narrador, Egaeus, se prepara para casarse con su prima, Berenice. Egaeus sufre extraños ataques de ensimismamiento durante los cuales parece aislarse por completo del mundo exterior. Berenice empieza a deteriorarse debido a una enfermedad desconocida, hasta que la única parte de su cuerpo que parece permanecer viva son sus bonitos dientes, con los cuales Egaeus empieza a obsesionarse. Berenice muere finalmente y él entra en uno de sus trances. Un criado lo interrumpe informándole de que la tumba de Berenice ha sido profanada.

Poe’s characters often take turns for the worse, and this is the literal case in this shipwreck story by the author. Aboard a ship taking off from Indonesia, the narrator’s ship and crew is struck by a storm that kills everyone but the narrator and one other crewmember. As the ship sales on under the enchantment of the storm, it collides with another seemingly enchanted object - a large black galleon crewed by blind men. The narrator keeps a ship’s log while aboard and is forced to abandon it over the side of the ship with the hopes of someone reading it someday.

Poe brings the reality of life and death to the forefront as he weaves a story within a story. When the narrator runs into an old man, the man begins to tell the tale of how he aged so rapidly. Only a day before, he was young - but lost his shipmates into a vicious maelstrom and the powers of the sea. After the initial terror of the event has subsided, he is able to examine the beauty and the power of the forces that can both provide life and take it away without note.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the "Great Ghost Stories" collection.

First published in an 1839 edition of Burton's Gentleman's Magazine, "The Fall of the House of Usher" is the story of the declining physical and psychological health of the residents of the House of Usher - and the way in which the house itself reflects that. Gothic in theme and style, the story is an exemplar of Poe's philosophy of composition, which dictates that literary works should be short and methodological and have a unity of effect wherein all the elements of the story are related and relevant.

The anonymous narrator is suffering from a strange hypersensitivity to everything around him. He lives with an old man who has a clouded bluish eye, an abnormality that fascinates and disturbs him. Resolving to kill the man and dispose of his body, he soon realizes in horror, however, his innocent victim may never let him forget what he has done.

This unique collection of lesser-known tales and poems from a master of the macabre demonstrates Poe's literary range. From the title story, which examines the behavior of an old man walking through Baltimore, to the beautiful poetry in "The Sleeper" and "Annabel Lee," these often hard-to-find works are superbly narrated by Ralph Cosham. Also included in the collection is "MS. Found in a Bottle" (one of Poe's first major works), the account of a man who boards the Flying Dutchman; "Eleonora," a tale of a vow of love; "The Oval Portrait," in which a young artist literally captures the life force of his new bride; "Berenice," about a premature burial - with a particularly unnerving effect; "The Facts in the Case of M. Valdemar," about a macabre experiment in hypnotism; and "The System of Doctor Tarr and Professor Fether" and "The Man That Was Used Up," 2 stories that demonstrate Poe's humor.

First published in the November 1846 issue of Godey's Lady's Book, the story is set in 19th century Italy and concerns the deadly revenge taken by the insane narrator on a friend he claims has insulted him. Like several of Poe's stories, and in keeping with the 19th century fascination with the subject, the narrative revolves around a person being buried alive.

Not a mere reading, you will hear wraiths howl, the dead walk, and the massive old house of Usher fall in this unique new audio dramatization. This presentation is based on a classic radio script written by veteran scripter Les Crutchfield (who some sources consider a pseudonym for the then blacklisted screen writer Dalton Trumbo) and originally presented on the popular radio series Escape on the night of October 22, 1947.