Resultados para "Black" en Poesía

The intellectual and cultural revival of African-American arts and politics in the 1920s and 1930s was centered in Harlem, Manhattan, New York City. Here are poems from three major contributors to that rebirth: The Weary Blues by Langston Hughes, The Heart of a Woman and Other Poems by Georgia Douglas Johnson, and Copper Sun by Countee Cullen, delivered by three multiaward–winning narrators.

Poetry. Even all by themselves, the titles of Patricia Lockwood's poems reveal the sort of surreal, enigmatic, rhetorically- longated world her sensibility inhabits effortlessly.

This unique collection, compiled especially for Naxos AudioBooks, features original recordings from 1908 to 1947 of Booker T. Washington's "Atlanta Exposition Address", the poetry of Paul Laurence Dunbar and Langston Hughes, the rarely heard humour of Charley Case, readings from "God's Trombones" by James Weldon Johnson, and much more.

Acclaimed Cave Canem poet and essayist Remica Bingham-Risher interweaves personal essays and interviews she conducted over a decade with 10 distinguished Black poets, such as Lucille Clifton, Sonia Sanchez, and Patricia Smith, to explore the impact of identity, joy, love, and history on the artistic process. Each essay is thematically inspired, centered on one of her interviews, and uses quotes drawn from her talks to showcase their philosophies. Each essay also delves into how her own life and work are influenced by these elders.

In Breath Better Spent, DaMaris B. Hill hoists her childhood self onto her shoulders, together taking in the landscape of Black girlhood in America. At a time when Black girls across the country are increasingly vulnerable to unjust violence, unwarranted incarceration, and unnoticed disappearance, Hill chooses to celebrate and protect the girl she carries. Jelly sandals, Double Dutch beats, and chipped nail polish bring the breath of laughter; in adolescence, pomegranate lips, turntables, and love letters to other girls' boyfriends bring the breath of longing.

The first African American poet to achieve international fame, Paul Laurence Dunbar used his prodigious literary gifts to chronicle and celebrate Black life as he saw it. He utilized both traditional poetic forms and contemporary dialect in a range of styles—lyrical, conversational, and playful—as diverse as his themes. This collection, containing the entirety of Dunbar’s poetry, captures his still vital expressions of love, work, and family. It also serves as a revelatory expression of Dunbar’s frustrations with racial injustice and oppression.

One of the best-known poets of the Revolutionary War era, Phillis Wheatley made history with this collection, which was the first such work to be published from an African American woman. Celebrated on both sides of the Atlantic, Wheatley found admirers in the likes of Voltaire, George Washington, Benjamin Franklin, and John Paul Jones.

Countee Cullen was already a prominent literary figure when he published Color, his auspicious debut collection of poetry. In deceptively simple verse, and in harmony with lyric tradition rather than rebellion against it, Cullen covered such complex terrain as race, faith, mortality, sexuality, and identity. Cullen may be less well known today than his contemporaries, but his emotional candor, creative ambition, and impudent humor retain an unforgettable spark.

Defiant, eloquent, and thoroughly modern, Claude McKay’s early collection of celebrated poems is widely recognized as having helped to spark the Harlem Renaissance. In Harlem Shadows, McKay gives precise and poignant expression to the injustices of white oppression in many forms. He also paints a vivid picture of Harlem at the dawn of its rebirth and shows the tremendous vitality of the neighborhood as well as the many threats it faced.

Poems on Various Subjects, Religious and Moral was the first published book of poetry by an African-American woman. Phillis Wheatley was a servant to a family in Massachusetts, and initially promoted her poetry in Boston newspapers to find a publisher. When she was initially unable to find a publisher in America, she sent her poetry overseas to England, hoping to eventually find someone who would both believe in the authenticity of her words and allow them to be widely printed.

Poet, educator, and social activist Gwendolyn Brooks was a singular force in American culture. The first Black woman to be named United States poet laureate, Brook’s poetry, fiction, and social commentary shed light on the beauty of humanity, the distinct qualities of Black life and community, and the destructive effects of racism, sexism, and class inequality. A collection of 30 essays combining critical analysis and personal reflection, The Whiskey of Our Discontent presents essential elements of Brooks' oeuvre - on race, gender, class, community, and poetic craft.

Meet. Love. Break. Recover. That’s been the routine of Staceyann Chin’s romantic life. But at 35, after yet another devasting breakup and overcome by an urgent and all-consuming desire to have a child, Chin realizes she’s running out of time. So she sets her sights on a single target: motherhood.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.